Machine translation has been a major motivation of development in natural language processing. Despite the burgeoning achievements in creating more efficient machine translation systems, thanks to deep learning methods, parallel corpora have remained indispensable for progress in the field. In an attempt to create parallel corpora for the Kurdish language, in this article, we describe our approach in retrieving potentially alignable news articles from multi-language websites and manually align them across dialects and languages based on lexical similarity and transliteration of scripts. We present a corpus containing 12,327 translation pairs in the two major dialects of Kurdish, Sorani and Kurmanji. We also provide 1,797 and 650 translation pairs in English-Kurmanji and English-Sorani. The corpus is publicly available under the CC BY-NC-SA 4.0 license. 1
Machine translation has been a major motivation of development in natural language processing. Despite the burgeoning achievements in creating more efficient machine translation systems thanks to deep learning methods, parallel corpora have remained indispensable for progress in the field. In an attempt to create parallel corpora for the Kurdish language, in this paper, we describe our approach in retrieving potentially-alignable news articles from multi-language websites and manually align them across dialects and languages based on lexical similarity and transliteration of scripts. We present a corpus containing 12,327 translation pairs in the two major dialects of Kurdish, Sorani and Kurmanji. We also provide 1,797 and 650 translation pairs in English-Kurmanji and English-Sorani. The corpus is publicly available under the CC BY-NC-SA 4.0 license. 1
Este artículo analiza la representación metafórica del estrés traumático en la obra de Jewell Parker Rhodes Towers Falling (2016) desde un enfoque estilístico. El estudio aplica principios de la Teoría de la Metáfora Conceptual (CMT) de Lakoff & Johnson (1980) a las metáforas seleccionadas de la novela. El análisis identifica dos tipos de metáforas relacionadas con el trauma. El primero, las metáforas traumáticas de Deja, en las que aparecen dominios Fuente como MÁSCARA DE HALLOWEEN, CONGELAR, o ROBOT. El Segundo, el estrés traumático de Pop es expresado utilizando estructuras conceptuales de dominios Fuente de naturaleza variada, tales como TORMENTA, TERREMOTO, PESADILLA, MORIR y GEMIDO. El estudio concluye que las metáforas que conceptualizan el estrés traumático en la obra en cuestión son EL CUERPO ES UN RECIPIENTE DE EMOCIONES y EL TRAUMA ES UN RECIPIENTE.
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