This commentary responds to David Chandler and Jonathan Pugh’s (2021) thought-provoking article, ‘Anthropocene Islands: There Are Only Islands After the End of the World’. It begins by highlighting the new visibility of Pacific islands and islanders in the discourses and media coverage of climate change and the Anthropocene. I argue that scholars need to be critical of reductionist representations of the Pacific and should, instead, highlight the complexities of Pacific agency, complexity, and subjectivity in order to think more fully about the Anthropocene in the Pacific. Moreover, scholars should delve into the Pacific humanities to become attuned to how Pacific Islanders are feeling the precarity and urgency of climate change.
This essay focuses on the creation story of the Indigenous Chamorro people from the western Pacific Island of Guam. The essay presents and analyzes the deeper meaning of the story of Puntan and Fu’una as they birth the island of Guam and the Chamorro people. Moreover, it maps the history of Catholic missionization that displaced and replaced the Chamorro creation story. The essay covers the related issue of how colonization removed Chamorros from their ancestral lands and appropriated these lands for imperial, military, tourism, and urban development. Then it highlights the decades-long struggle of Chamorro activists to reclaim the land. Lastly, it turns to contemporary Chamorro poetry to illustrate how authors have revitalized and retold the story of Puntan and Fu’una to critique and protest the degradation of Chamorro lands and to advocate for the protection and return of the land.
This essay will explore the complex relationship between Pacific Islander Literature and the “Blue Humanities,” navigation traditions and canoe aesthetics, and Chamoru migration and diaspora. First, I will chart the history, theory, and praxis of Pacific voyaging traditions; the colonial history of restricting indigenous mobilities; and the decolonial acts of seafaring revitalization in the Pacific (with a specific focus on Guam). Then, I will examine the representation of seafaring and the ocean-going vessel (the canoe) as powerful symbols of Pacific migration and diasporic cultural identity in the context of what Elizabeth DeLoughrey termed, “narrative maritime legacies” (2007). Lastly, I will conduct a close-reading of the avant-garde poetry collection, A Bell Made of Stones (2013), by Chamoru writer Lehua Taitano. As I will show, Taitano writes about the ocean and navigation in order to address the history and traumas of Chamoru migration and diaspora. In terms of poetic form, I will argue that Taitano’s experimentation with typography and visual poetry embodies Chamoru outrigger design aesthetics and navigational techniques. In the end, I will show how a “Blue Humanities” approach to reading Pacific Islander literature highlights how the “New Oceania” is a profound space of Pacific migration and diasporic identity.
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