Introduction

Perez, Craig Santos

doi:10.4324/9780429032202-1

Cited by 4 publications

(4 citation statements)

References 1 publication

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“…Recent work in the geohumanities offers many examples of formal experimentation (e.g. Boyd and Edwardes 2019;Vickery 2015;Magrane et al 2019;Vannini and Vannini 2020;Wright et al 2012;Cresswell 2019;Parikh 2020).…”

Section: Unsettling Hong Kongmentioning

confidence: 99%

The Aesthetics of Sand: Reclaiming Hong Kong’s Unsettled Grounds

Brigstocke

2021

GeoHumanities

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Section: Unsettling Hong Kongmentioning

confidence: 99%

The Aesthetics of Sand: Reclaiming Hong Kong’s Unsettled Grounds

Brigstocke

2021

GeoHumanities

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“…Recognizing that creative practice can help people know and share about hidden spaces, 2 and that rivers are often unseen, unseeable, and modified, 3 Ioanna and Stephanie were interested in designing creative interventions to stimulate imaginations and to foster more entangled ways of communicating about rivers. 4 The collaboration grew to include colleagues Asha Sahni (poet), James White (ecologist), and Sayali Pawar (geographer) and later expanded to include all authors of this paper. Most of the ensemble identify as artists/poets/scientists both within and outside the academy.…”

Section: Introductionmentioning

confidence: 99%

Collaging to find river connections and stimulate new meanings

Giannoulatou¹,

Januchowski‐Hartley

Sahni

et al. 2022

cultural geographies

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This article contributes to work in creative geographies through the lens of river spaces and a multimodal practice among an ensemble of artists/poets/scientists. The collaboration created two collage series with both planned and unplanned visual, textual, and audio-visual media. Orchestrated in a time of global pandemic, learnings from the ensemble’s online creative practice are shared and discussed, including: the methodological possibilities of online collaboration and the Internet’s ability to facilitate distanced and sustained co-creation, as well as the potential of collage and poetry to reimagine relationships with rivers.

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“…It was in this context that a wave of new forms of creative expression started to be seen increasingly often in geography, from montage to geopoetics, from film to dance, from anonymous authorship to more-than-human co-writing (e.g. Magrane et al, 2019;Pred, 1995;Cresswell, 2019;Krupar, 2013;Olsson, 2007). Geographers started responding to appeals to 'animate the adventure of writing, and of life itself' (Dewsbury, 2014: 151).…”

mentioning

confidence: 99%

Form, genre, voice, and authority in human geography: A speculative genealogy

Brigstocke

2023

Dialogues in Human Geography

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This speculative genealogy of trends in the written forms of geographical scholarship, 2020–2043, explores the dramatic transformations in the discipline that came with a ‘neo-formalist’ turn towards critical reflection on and experiment with the formal aspects of geographical writing, including structure, genre, voice, and style. At the start of the 2020s, the forms, genres, and styles of academic geographical writing in Anglophone research journals were still rather homogeneous in form. Experiments with form were mostly restricted to sub-disciplinary silos. Following a series of important scholarly interventions, the discipline started to reflect more earnestly on the different kinds of authority that are claimed through the use of particular written forms and authorial personas. Whereas in the early decades of the 21st century, authorial personas were mostly confident, self-assured, decisive, and expressing a ‘mastery’ of concepts, the turn towards greater critical analysis of geography's written forms led to a proliferation of authorial personas, often rejecting personas associated with ‘mastery’ and instead exploring hesitation, anxiety, indecision, passivity, improvisation, unreliability, plurality, failure, humour, and self-deprecation, as ways of claiming different, more egalitarian forms of epistemic authority. This genealogy concludes that despite the problem of eclecticism, this turn towards greater methodological reflection on geography's written forms has greatly enriched the discipline from the mid-2020s until today.

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Introduction

Cited by 4 publications

References 1 publication

The Aesthetics of Sand: Reclaiming Hong Kong’s Unsettled Grounds

The Aesthetics of Sand: Reclaiming Hong Kong’s Unsettled Grounds

Collaging to find river connections and stimulate new meanings

Form, genre, voice, and authority in human geography: A speculative genealogy

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