T. S. Eliot's allusions to Indic philosophy in several poems - from the Sanskrit ending of The Waste Land to the 'What Krishna meant' section of Four Quartets - have puzzled and intrigued readers since the poems first appeared. In T. S. Eliot and Indic Traditions, Professor Cleo McNelly Kearns places Eliot's lifelong interest in Indic philosophy and religion in the context of his concomitant studies in Western philosophy and his views on literary theory and poetic practice. The author establishes the depth and extent of his knowledge not only of Sanskrit and Pali texts but also of the scholarly tradition through which they were interpreted in the West. She explores as well Eliot's keen sense of the important distinctions between specific schools of thought. Kearns concludes that Eliot was less interested in synthesizing various traditions than in comparing texts and traditions for what he called 'the difference they can make to one another'.
The Virgin Mary plays a major - although often paradoxical - role in the incarnation and crucifixion and in the ecclesiastical structure of Christianity. This role is shaped by sacrifice as understood in terms of the religious patrimony of ancient Israel and as refigured in the new Christian and Islamic paradigms arising from it. Here the offering up of a son is a frequently occurring motif, one in which fathers and mothers play an emotionally fraught, anthropologically conditioned and theologically significant role. Like such figures as Abraham and Sarah in the Hebrew Bible, Mary's relationship to sacrifice has profound implications not only for Christian theology, but for later developments in monotheism, including the role of women and gender in creating and sustaining religious identities, the emergence of competing definitions of orthodoxy, and the institution in some traditions of a masculine priesthood and religious hierarchy.
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