Sitopayan 1 & 2 inscriptions that were discovered at Biaro Sitopayan complex are currently stored at North Sumatra State Museum.The review of the inscription from both intrinsic and extrinsic aspects reveals material, shape, palaeography or language (extrinsic) and content and other aspects related with Biaro Sitopayan (intrinsic). An analysis is then conducted through those primary and additional data, external/extrinsic and internal/intrinsic criticism acquisition a result of which is a conclusion.AbstrakPrasasti Sitopayan 1 dan Prasasti Sitopayan 2 merupakan prasasti yang ditemukan di Komplek Biaro Sitopayan. Kedua prasasti tersebut saat ini disimpan di Museum Negeri Provinsi Sumatera Utara. Banyak hal yang dapat diungkap dalam menelaah sebuah prasasti baik itu dilihat dari aspek ekstrinsik, yaitu yang berkaitan dengan bahan, bentuk, paleografi, maupun bahasanya, serta aspek intrinsik yaitu yang berkaitan dengan isi serta hal-hal lain yang berkaitan misalnya kaitannya dengan Biaro Sitopayan. Melalui data primer tersebut kemudian dilakukan analisis yang didukung dengan beberapa data penunjang lainnya serta kritik ekstern (ekstrinsik) dan kritik intern (intrinsik) lalu di dapat sebuah kesimpulan.
AbstrakUang yang berfungsi sebagai alat tukar menyimpan berbagai makna tersembunyi dalam praktik sosialnya di masyarakat. Salah satu yang menarik adalah keberadaan uang kebon yang digunakan oleh para Tuan Kebun dalam hal ini berlokasi di Tanah Deli atau yang lebih dikenal dengan Sumatera Timur. Dalam konteks ini terdapat sebuah permasalahan yang berkaitan dengan keberadaan uang kebon yaitu bagaimanakah praktik kolonialisme pada saat itu, yang tercermin dalam uang kebon? Melalui pisau bedah arkeologi Marxis didapatkan makna uang kebon sebagai alat praktik hegemoni yang dilakukan oleh para Tuan Kebun terhadap Kuli/ pekerjanya. Kata kunci: uang kebon, kolonialisme, perkebunan, Sumatera Timur, arkeologi marxis Abstract Money, which functions as means of transfer, has various hidden meanings in its social practice among the communities. An interesting thing is an existence of "uang kebon" (plantation money) that was used by Plantation Owners in Tanah Deli
Studies on ancient scripts have been deemed significant nowadays due to past cultural heritage that may provide valuable information on social, cultural, economic, religious, or other aspects. This importance, however, is hampered by the reduced, broken, or sold heritage abroad. This study focuses on an ancient script 'Namanongon Ribut' in the Regency of Mandailing Natal, North Sumatera. Through inductive and qualitative methods, the research has resulted various poems or work of literature of rich meaning such as the making of scripts, messages, and mantra.AbstrakKajian terhadap naskah kuna semakin penting dewasa ini, karena banyak naskah warisan budaya masa lalu yang dapat memberikan informasi penting terhadap berbagai aspek sosial, budaya, ekonomi, religi, maupun aspek lainnya. Padahal keberadaannya semakin berkurang dan kondisinya justru semakin rusak atau bahkan dijual ke negara lain. Studi ini memfokuskan perhatian pada Naskah kuna yang bernama Namanongon Ribut di Kabupaten Mandailing Natal, Sumatera Utara. Dengan menggunakan metode induktif kualitatif, penelitian menghasilkan berbagai syair atau karya sastra yang memiliki berbagai makna, di antaranya berupa pembuatan naskah, pesan, dan mantra.
Ngalau Tompok Syohiah I has an indications of being a temporary shelter related to special pilgrimage activities such as meditation relating to the old beliefs (Pre-Islam), seeking mysticism, and seclusion to deepen Islamic teachings in the past, and pay vows.The material culture that is a speciality of the Ngalau Tompok Syohiah I are pictures and texts written in white media (type of chalk). Qualitative research methods use inductive reasoning by observing both the unit and the context. One of the techniques used to copying the shape of an image or read a script found on the wall of Ngalau Tompok Syohiah I uses the Inkscape program, then describes and analyzes the form. This article is intended to find out the meaning of symbols on rock art on the walls of Ngalau Tompok Syohiah I, then to find out the cultural background of humans who used the cave in the past. Some symbols are identified as images similar to rock art on prehistoric sites in the archipelago, indicative of post-Palawa characters, and Arabic and Arabic-Malay characters. The pictures and writing overlap and many wear out so that some have not been identified yet. Until now this cave was sacred and is still a special place of pilgrimage. Symbols of rock art are associated with the context of the cave space, as well as other archeological remains such as their menhirs and graves, describing the religion adopted by people who have come to the cave, and related to agricultural livelihoods.
Abstract“uang kebon” (money which is used in “plantation”) is a special type of currency issued and used in Deli area of plantation, east of Sumatera. As a medium of exchange,money used by contract workers for the sale and purchase transaction where the money they normally receive as wages in the early and mid of the month. “uang kebon” or token money is often referred to using the unit of dollars and cents with the variaty of shapes and sizes according to the taste of plantation owners. “Uang kebon” is one of tools to bind the contract workers so they cannot escape from the plantation area.
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