The question of identity lies at the nucleus of literary theory, as well as socio-political discourse. The classification of ones identity is often used to analyze and better understand the work of many authors and their lives. However, the issue that arises regarding these questions is the urge to simplify identity as linear and monolithic. This proves problematic as such an approach overlooks major aspects of the authors works, especially in the case of diasporic literature. It does not suffice to simply consider the multifaceted identities of these writers when categorizing them. The realization, of how these identities not only inform the writings of these people but also introduce into the English language flavors from other languages and cultures, is essential for the progress of a diasporic sensibility. A basic methodology is developed in this paper regarding multidimensional realities in poetry, with Agha Shahid Ali as a case-study, to elaborate on how a diasporic author can use and introduce novel forms into the English language.
Writers who are forced into exile by a hostile government tend to suffer from the grievances of loss and deprivation. They either divorce themselves completely from their former home country or they look back in nostalgia. After 1989, leaving central and eastern European homes was not only a free decision, but could also be an act of liberation. Leaving had not been an easy option before the Iron Curtain had come down. Changing one’s language and writing in English represented this act of liberation. Creating a new memory (e. g. Eva Hoffman) and a literary persona in the language of globalization and cosmopolitanism meant to look back and to discover the new at the same time. This article investigates this tension by reading writers who have published books about both their former home countries and their new English-speaking environments. Loathing nostalgia in the creative process of writing has helped authors, such as Bulgarian Kapka Kassabova and Miroslav Penkov and Czech writer Jan Novak, to imagine new spaces of cosmopolitan belonging without being in denial about the places of their childhood thus redefining the concept of eastern Europe altogether.
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