Los bienes culturales como patrimonio educativoThe cultural property as educational heritage Chiara PANCIROLI. Università di Bologna (Italia). chiara.panciroli@unibo.itResumen: El patrimonio y los lugares que lo acogen, conservan, y exponen (entendiendo el museo como una referencia particular), se convierten progresivamente en espacios que revisten un papel estratégico, sobre todo en términos formativos. Se trata de una función formativa que se ha construido y se sigue definiendo con la historia de los museos y la individuación de los diferentes sentidos del bien objeto. El museo, considerado como el escenario final para la transmisión y comunicación del conocimiento, se convierte en un modelo cultural de aprendizaje, un lugar privilegiado para la investigación, en el que el visitante, en primer lugar, utiliza el ojo como una herramienta sensorial e intelectual para descubrir los "signos" de los mensajes; y más tarde, para interpretar y revisar el contenido del bien cultural.Palabras clave: Educación Artística, Educación en Museos, Patrimonio, Historia.Abstract: More and more Heritage and the places that host, treasure and exhibit it, -with a specific reference to museums -play a crucial role, above all in the educational sphere. A function indeed that has been developing and defining along with the history of museums and the identification of the various meanings of the "asset". The museum, that has always considered the ideal place where knowledge is be queathed, becomes a cultural model for learning and a privileged context for research. As a matter, this is where we taught to use sight both as a sensory and intellectual tool and to discover the signs of messages as well as to understand and process heritage contents.
Different national and international researches have stressed relevant aspects concerning the application of augmented reality in formal and non-formal educational contexts, especially at school and in museums. In fact, augmented reality plays a meaningful role in the relationship between technologies and didactic mediation; its applications are the prerequisite for an augmented learning, through the reproduction of specific scenarios which go beyond the pure theoretical dimension. More specifically the present contribution aims to set out an option for a reflection on the relationship between art education and augmented reality technologies from the didactic mediation point of view, with reference to a shared and collaborative construction of knowledge of artistic and cultural heritage.
Abstract:To grasp the elements that make up the museum today it is necessary to have a study approach that identifies the functions of the real museum and its major transformations in relation to the development of technology, with particular reference to digital environments. Starting from these assumptions, this elaboration intends to present the results of observatory research that has taken into consideration a sample of real museums in relation to digital technology. Defined in the common lexicon of museums on the web, those museums that have recently renewed their websites with the aim of getting closer to the their public on digital media are analyzed in the national and International context.
Abstract:The educational action to heritage does not consist uniquely in communicating the symbolic and cultural contents, yet and mostly in the possibility of reflecting on the identity of man and his community of belonging, which heritage is an expression of. In such a sense, the museum becomes a welcoming place when it supports an opening attitude to the person through different educational dimensions, among which the intellectual, emotional-relational, ethic and aesthetic ones. Such opening capable of promoting the necessary languages and tools, lets the museum become an institution able to guarantee an accessibility for all and each single person.
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