The paper establishes the principle of ‘back‐formation’ of artistic creation, the process by which artists realise in their work a theme or motif that had not been previously intended but is brought into being as the work comes to fruition. The authors suggest that teaching also should be guided by this principle. To solve the inherent problem of power imbalance in teaching, they appeal to Bakhtin's recourse to aesthetical judgment in addressing relational issues. Gadamer's rehabilitation of prejudices shows that not only is an ethics of relation worked out as an aesthetic practice, but also that aesthetic practices are worked out within an ethics of relation.
This article looks at the practice of educational questioning using the philosophical hermeneutics of Hans-Georg Gadamer. It first looks at questions and statements from a hermeneutic perspective, demonstrating some of the differences and similarities between the two. It then details Gadamer's notion of the 'true question', asking whether it is possible for teachers to ask 'true questions'. Then, it turns to some concrete ways to rethink educational questioning. Three themes are proposed, themes to keep in mind when educational questions are used: non-superficiality, humility, and circuitry.
Social struggles that turn on race, gender, and sexuality are struggles for recognition. At least, this has been a widespread assumption for decades. Yet this assumption has come under critique of late. In this essay, Charles Bingham looks into the debate that surrounds the recognitive paradigm. He looks both at the general (noneducational) debate, and then at the more specific educational debate around recognition. He concludes by highlighting the practical contributions that educators bring to recognitive discourse. Such practical contributions are missing from the more general debate as it has been articulated by cultural theorists. Educational thought adds a significant, and particularly useful, dimension to discussions surrounding the recognitive assumption.
This article explores Derrida's claim that teaching is a deconstructive process. In order to explore this claim, the Derridean concept of ''erasure'' is explored. Using the concept of erasure, this article examines two important aspects of teaching: the name that teachers establish for themselves, and, teaching against social power from a Derridean (erasure-oriented) perspective. Ultimately, the paper confirms Derrida's claim that teaching is indeed a deconstructive practice.
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