Isu kematian bahasa di dunia semakin mengemuka akhir-akhir ini, tidak terkecuali dengan bahasa Sunda. Hal ini berhubungan dengan fenomena yang terjadi di pusat-pusat kota di Jawa Barat, terutama Bandung, yang diduga kini masyarakatnya, terutama generasi muda, enggan menggunakan lagi bahasa Sunda dalam pergaulan sehari-harinya. Gejala ini menarik untuk dikaji dari sudut pandang kematian bahasa (language death). Oleh karena itu, perlu upayaupaya strategis yang komprehensif untuk mempertahankan bahasa Sunda dari kepunahan.
This research was aimed at analyzing the speeches of Donald Trump and of Hillary Clinton in the USA Presidential candidates’ debates as instruments of power. The data is a presidential final debate video of Trump and Clinton made in September 2016 which has been converted into a transcript. The data analyzing technique is divided into three steps: 1) describing the context, 2) analyzing the illocutionary acts, and 3) analyzing the power dimensions. The results of this research show that the speakers use the speech act as an instrument of power with classifications of representative, commissive and expressive. In this regard, the researchers found that the speakers demonstrated their power to try to convince the voters in their society to trust them to be the president. The research results also showed that the usage of speech in debate as an instrument of power can influence the voters especially on Election Day.
This research discussed Jamaican Sound Keroncong (JSK) as a communication media in the global era. The problem of research was that keroncong music tended to be unknown by most young people in Bandung, and it was lost almost a century among them. This research aimed to examine the communication between the structure, agents (SirIyai), and sub-agents (Crispy Crue/the fans), and the appreciation of the keroncong community in Bandung for their performances. Spredlay ethnographic methods were applied. SirIyai was trusted informants and participatory observations, and in-depth interviews were carried out within one year. The research finds that; (1) SirIyai creates a communication media product under the name of JSK as the binding structure between SirIyai as the agent and CCI as the sub-agent; (2) the development of the internet creates dynamics and generates communication space; (3) communication of musical instruments is the basic idea of JSK product creation as communication media; and (4) there is a fundamental change of the old keroncong communication system to that of the youth keroncong in the global era. SirIyai is considered as the role model of the recent keroncong communication and becomes the parameter of creativity of musical mixture of global music era in Bandung.
This article discusses the prospect and future of youth Kroncong group at the Indonesia University of Education or Universitas Pendidikan Indonesia in Bandung. The focus of research subject in this study is one particular Kroncong group namely Orkes Kroncong De Oemar Bakrie. By examining the society’s appreciation towards the group performances and by implementing the triangulation techniques; results show that the group can be seen as a representative of youth Kroncong group in Bandung. Based on research from 2000 until 2017, it can be concluded that University-based Kroncong group is more excelled not only in the music industry, but also in the music development and the music organization. The group is considered as a role model and parameter for other youth Kroncong group in Bandung.
The Musical Pattern of Keroncong and Tenor Instruments in the Keroncong Irama Orchestra Jakarta. This study discusses the musical pattern of keroncong and tenor instruments and their application to the songs "Cente Manis" and "Sambel Cobek". Both of these instruments are the identity of the Jakarta style of keroncong. The study was conducted with a descriptive qualitative approach. The data was collected through observation, interviews, and documentation. Based on the results of the study, it was found that the origin term of keroncong musical instrument came from the sound of the instrument itself. The term of tenor refers to the term for the highest male voice. The techniques of playing musical instruments of keroncong and tenor were also found, namely rasguaedo (prung), strumming, arpeggio, and by strumming on each string one by one. The techniques of playing the keroncong and tenor instruments include double ankle, double back play, old format and style. The four patterns of musical playing depend on the played songs and the agreement of the personnel. ABSTRAKPenelitian ini mendiskusikan pola permainan alat musik keroncong dan tenor serta penerapannya pada lagu "Cente Manis" dan "Sambel Cobek". Kedua alat musik ini merupakan identitas keroncong gaya Jakarta. Penelitian dilakukan dengan pendekatan kualitatif deskriptif dan data dikumpulkan melalui observasi, wawancara, dan dokumentasi. Berdasarkan hasil penelitian ditemukan bahwa asal mula istilah alat musik keroncong berasal dari bunyi alat musik itu sendiri. Istilah tenor merujuk pada istilah suara laki-laki tertinggi. Ditemukan juga teknik permainan alat musik keroncong dan tenor yaitu teknik rasguaedo (prung), strumming, arpeggio dan dengan cara dipetik satu-satu pada setiap senar. Teknik memainkan alat musik keroncong dan tenor tersebut meliputi pola permainan dobel engkel, dobel balik, format dan gaya lama. Permainan keempat pola tersebut bergantung pada lagu yang akan dibawakan dan kesepakatan para personilnya.Kata kunci: cente manis; tenor; Irama Jakarta tradisi tetap dikenal dan digemari oleh masyarakat pendukungnya (Kautzar, 2019).Dari berbagai fenomena yang tampak, penamaan karya itu bukan hanya sebatas kepada arti musik keroncong saja, tetapi lebih bermakna sebagai suatu identitas dalam perkembangan musik keroncong yang mempunyai paradigma estetika PendahuluanMusik keroncong sebagai salah satu budaya Indonesia sejak dulu telah diwarnai dengan keragaman karya dan dinamika wacana. Keberagaman ini perlu diperkenalkan kepada masyarakat luas, agar kesenian daerah atau seni ABSTRACTThe abstract is a summary of the article. It is consist of aim/goal/problem of research, research methods, results and discussion, and conclusion. Implications or recommendation can be added in the abstract. The abstract must be written in 150-250 words. The abstract must not contain lengthy background information and have no reference to figure, table, equation, any bibliographical reference either coming within or other article. The language of abstract must be clear and con...
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