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Luigi Capuana: Experimental Fiction and Cultural Mediation in Post-Risorgimento Italy. The studies in this collection revisit established critical positions which confine Luigi Capuana’s work within the orbits of Naturalism and Positivism. A variety of theoretical readings in the volume investigate how the author’s experimentalism and eclectic interests respond to positivist ideology, the limitations of scientific practices, and the conflicts and anxieties of the fin de siècle which arise from a change in intellectual attitudes towards new ways of interpreting reality. The volume’s three sections focus on cultural mediation and the construction of socio-literary identities, gender representation and metaliterature, and on the author’s experimentation with the natural, supernatural and fantastic. Each section illustrates how the search for the new and experimentalism constitute driving forces in the author’s artistic investigation and production, making his work an important source for a new reading of the fin de siècle’s epistemological revision.

This article addresses a comparatively neglected corpus of Italian travel and migrant writing in Mexico, ranging from Luigi Bruni’s Attraverso il Messico (1890) to Emilio Cecchi’s Messico (1932). It does so from the methodological angle of nation-making and through the seemingly counter-intuitive prism of Italian Orientalism(s). This article focuses on two key moments of both Italian and Mexican history: Post-Unification/Porfiriato and Ventennio/Post-Revolution. The discussion revolves around the problematization of the construction of an Otherized subalternity as a way for the emerging elites to discursively develop and circulate their worldview.