This study explores the newly constructed female identities of the Early Republican Era in Türkiye (1923–1945). Through a thematic analysis of three contemporary women's magazines (Aile Dostu, Ev-İş, and Asrın Kadını) it aims to examine how conceptualizations of marriage and family were refashioned in the magazines to fit in the images within the newly constructed domestic ideologies of the state. We argue that the “selfless” subjectivities offered by the magazines point to dialogically constructed narrative identities which are not stable but fluid. The women's magazines of the Era aimed to reconstruct new identities by representing the Republic's ideas and official ideology to its people. Thus, they became one of the tools of social engineering in the way of “transforming the nation” into a “modern,” “Westernized” one. Analysing these magazines help us identify the repertoire of subjectivities and narrative identities from which women drew while making sense of their selves during an era of transformation.
Journalism is a two-faced mirror that both generates and reflects social inequalities: Both people's experiences within news organizations and the content published by them make the gender inequality visible. We can define journalism, just like all other patriarchal institutions, as an institution that generates gender inequality. In order to get a clear understanding of this problem, we have to address the actors, means, processes and conditions that generate this inequality in journalism first, and then we may suggest solutions based on real-life cases. Indeed, knowledge building is, as always, a priority in order to make working conditions safer for women and LGBT journalists. This chapter aims to support the struggle for gender equality in journalism within this context.
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