The second half of the first century A.D. is the age of the senatorial poet at Rome. While previously Rome's poets frequently were outsiders adopted into the system (Vergil and Horace in particular come to mind in this connection), now members of the inner circles of government could actively display their literary talents and preferences. There can be little doubt that the reign of Nero is mainly responsible for this state of affairs — there is a revival of Roman poetry such as has not been seen since the age of Augustus, evidenced by the diverse works of Lucan, Persius, and even the emperor himself. Previous emperors had dabbled in poetry, but as hardly anything more than a hobby. Now the most important personages in the Roman state could openly engage in creative writing. This trend, beginning under Nero, continues in the Flavian Age, many of whose most prominent members, including the founder of the dynasty himself, originally came to the forefront under the last of the Julio-Claudians. The poetic capabilities of the emperor Domitian are praised by Quintilian (10.1.91) and by Valerius Flaccus (1.12-14); the latter seems at least to have begun his epic with its Greek mythological theme under Vespasian. An author who is often less well regarded had first come to public attention under Nero and remained prominent under the Flavians — Silius Italicus.
A recent English-language textbook on Greek and Roman historical epic begins its account of Silius Italicus by describing the author of the Punica as ‘not a literary person. Most of his long life was spent in the Roman civil service’. Then, after suggesting that the poet was seeking to make up for earlier missed opportunities by writing what is the longest surviving Latin epic, the potted biography concludes by declaring that his actual demise was in line with Stoic theory: ‘Silius met a bookish end…he starved himself to death.’While these remarks will not be left unchallenged, the very venom of the reaction to them is instructive. Scandalised, a reader of an earlier version of this paper thought that they should never be mentioned or at best buried in a footnote. After all, Wallace Stevens worked for a living too. No, show us that Silius is a good poet.
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