Recent advances in Generative Adversarial Networks (GANs) have shown impressive results for task of facial expression synthesis. The most successful architecture is StarGAN [4], that conditions GANs’ generation process with images of a specific domain, namely a set of images of persons sharing the same expression. While effective, this approach can only generate a discrete number of expressions, determined by the content of the dataset. To address this limitation, in this paper, we introduce a novel GAN conditioning scheme based on Action Units (AU) annotations, which describes in a continuous manifold the anatomical facial movements defining a human expression. Our approach allows controlling the magnitude of activation of each AU and combine several of them. Additionally, we propose a fully unsupervised strategy to train the model, that only requires images annotated with their activated AUs, and exploit attention mechanisms that make our network robust to changing backgrounds and lighting conditions. Extensive evaluation show that our approach goes beyond competing conditional generators both in the capability to synthesize a much wider range of expressions ruled by anatomically feasible muscle movements, as in the capacity of dealing with images in the wild.

Abstract-Low textured scenes are well known to be one of the main Achilles heels of geometric computer vision algorithms relying on point correspondences, and in particular for visual SLAM. Yet, there are many environments in which, despite being low textured, one can still reliably estimate line-based geometric primitives, for instance in city and indoor scenes, or in the so-called "Manhattan worlds", where structured edges are predominant. In this paper we propose a solution to handle these situations. Specifically, we build upon ORB-SLAM, presumably the current state-of-the-art solution both in terms of accuracy as efficiency, and extend its formulation to simultaneously handle both point and line correspondences. We propose a solution that can even work when most of the points are vanished out from the input images, and, interestingly it can be initialized from solely the detection of line correspondences in three consecutive frames. We thoroughly evaluate our approach and the new initialization strategy on the TUM RGB-D benchmark and demonstrate that the use of lines does not only improve the performance of the original ORB-SLAM solution in poorly textured frames, but also systematically improves it in sequence frames combining points and lines, without compromising the efficiency.

Qualitative evaluation for one person with multiple target poses. Top: Our image estimation for several target poses, considering the same condition image. Bottom: Eight target poses coded by a skeleton with 12 semantic points.Figure 4. Qualitative evaluation for one person with multiple target poses. Top: Our image estimation for several target poses, considering the same condition image. Bottom: Eight target poses coded by a skeleton with 12 semantic points. 3 Figure 1: Given an original image of a person (left) and a desired body pose defined by a 2D skeleton (bottom-row), our model generates new photo-realistic images of the person under that pose (top-row). The main contribution of our work is to train this generative model with unlabeled data. AbstractWe present a novel approach for synthesizing photorealistic images of people in arbitrary poses using generative adversarial learning. Given an input image of a person and a desired pose represented by a 2D skeleton, our model renders the image of the same person under the new pose, synthesizing novel views of the parts visible in the input image and hallucinating those that are not seen. This problem has recently been addressed in a supervised manner [16,35], i.e., during training the ground truth images under the new poses are given to the network. We go beyond these approaches by proposing a fully unsupervised strategy. We tackle this challenging scenario by splitting the problem into two principal subtasks. First, we consider a pose conditioned bidirectional generator that maps back the initially rendered image to the original pose, hence being directly comparable to the input image without the need to resort to any training image. Second, we devise a novel loss function that incorporates content and style terms, and aims at producing images of high perceptual quality. Extensive experiments conducted on the DeepFashion dataset demonstrate that the images rendered by our model are very close in appearance to those obtained by fully supervised approaches.

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Recent advances in Generative Adversarial Networks (GANs) have shown impressive results for the task of facial expression synthesis. The most successful architecture is StarGAN [5], that conditions GANs' generation process with images of a specific domain, namely a set of images of people sharing the same expression. While effective, this approach can only generate a discrete number of expressions, determined by the content and granularity of the dataset. To address this limitation, in this paper, we introduce a novel GAN conditioning scheme based on Action Units (AU) annotations, which describes in a continuous manifold the anatomical facial movements defining a human expression. Our approach allows controlling the magnitude of activation of each AU and combining several of them. Additionally, we propose a weakly supervised strategy to train the model, that only requires images annotated with their activated AUs, and exploit a novel self-learned attention mechanism that makes our network robust to changing backgrounds, lighting conditions and occlusions. Extensive evaluation shows that our approach goes beyond competing conditional generators both in the capability to synthesize a much wider range of expressions ruled by anatomically feasible muscle movements, as in the capacity of dealing with images in the wild.

We propose an online solution to non-rigid structure from motion that performs camera pose and 3D shape estimation of highly deformable surfaces on a frame-by-frame basis. Our method models non-rigid deformations as a linear combination of some mode shapes obtained using modal analysis from continuum mechanics. The shape is first discretized into linear elastic triangles, modelled by means of finite elements, which are used to pose the force balance equations for an undamped free vibrations model. The shape basis computation comes down to solving an eigenvalue problem, without the requirement of a learning step. The camera pose and time varying weights that define the shape at each frame are then estimated on the fly, in an online fashion, using bundle adjustment over a sliding window of image frames. The result is a low computational cost method that can run sequentially in real-time.We show experimental results on synthetic sequences with ground truth 3D data and real videos for different scenarios ranging from sparse to dense scenes. Our system exhibits a good trade-off between accuracy and computational budget, it can handle missing data and performs favourably compared to competing methods.

We propose a new approach to simultaneously recover camera pose and 3D shape of non-rigid and potentially extensible surfaces from a monocular image sequence. For this purpose, we make use of the Extended Kalman Filter based Simultaneous Localization And Mapping (EKF-SLAM) formulation, a Bayesian optimization framework traditionally used in mobile robotics for estimating camera pose and reconstructing rigid scenarios. In order to extend the problem to a deformable domain we represent the object's surface mechanics by means of Navier's equations, which are solved using a Finite Element Method (FEM). With these main ingredients, we can further model the material's stretching, allowing us to go a step further than most of current techniques, typically constrained to surfaces undergoing isometric deformations. We extensively validate our approach in both real and synthetic experiments, and demonstrate its advantages with respect to competing methods. More specifically, we show that besides simultaneously retrieving camera pose and non-rigid shape, our approach is adequate for both isometric and extensible surfaces, does not require neither batch processing all the frames nor tracking points over the whole sequence and runs at several frames per second.

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