This study investigates Kagan folktales to understand the culture present in oral literature. It utilized a descriptive method and ethnographic process in the study design. The collected folktales mirrored the following components of culture: 1) Social practices, i.e., Rido (family rivalries), use of gong and balao (musical instruments), wedding, use of native baskets, dowry system for courtship, slavery, use of malong (indigenous clothing). 2) Economic practices, like farming, fishing, and barter trading. 3) Political practices, including Datu and Sultanate systems. 4) Religious practices. The analysis shows that the folktales reflect the life and works of the Kagan in Pantukan municipality, Davao de Oro, and Lupon municipality, Davao Oriental, of Mindanao Island of the Philippines. The cultural role of folktales is getting diluted in the Philippines. However, this study found that folktales have a serious purpose of preserving, developing, and sustaining indigenous culture for a better future. In conclusion, the Kagan and their folktales reveal the transcendence of folk beliefs, customs, and traditions to benefit their culture in an acculturated society today.
This study mirrors the symbolic actions of cultural characters in Davao folk narratives. It utilized descriptive-narrative and narrative-conversational methods to collect and analyze the folk narratives in the Davao region. The Cultural Symbolism theory of Clifford Geertz was used to reveal the interweaving culture of the indigenous people. Thus, the symbolic actions present in the texts are the following: pangayaw (tribal war), divine intervention, hunting, trading, belief in the existence of heaven, usage of magical instruments, cursing and casting enchantments, and patronizing a Datu. Hence, this study contributes to the preservation of culture which is slowly vanishing due to the effects of colonization, modernization, and globalization. Thus, further studies on myths, folktales, folk songs, folk speeches, and folk epics should be done to promote the cultural awareness among postmodern Filipinos.
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