Desenhos e ensambles de outros padrões civilizatóriosDesign and production of other civilizational patterns Palabras clave: resurgimientos, diseño, sur, convivencialidad, sumak kawsay, mitakuye oyasin. Ressurgimentos: suis como desenhos e desenhos outros Resurgences: south, as designs and other designs original recibido: 04/07/2015 aceptado: 21/09/2015 nomadas@ucentral.edu.co Págs. 113~129O artigo questiona o desenho industrial como proissão que suporta o padrão civilizatório moderno-capitalista, cujas nocivas repercussões são globais. Ante isso, propõe a possível geração de alternativas que coexistam com a civilização industrial, orientadas ao desenvolvimento desde equivalentes do desenho surgidos de tradições diferentes à ocidental dominante, e procedentes de lugares secundários nas cartograias geográicas e epistemológicas hegemônicas. Conclui que os desenhos do sul sempre têm estado presentes; toma tempo reconhecê-los e começar a desenhar e ser desenhados por estes. Palavras-chave: ressurgimentos, desenho, sul, convivencialidade, sumak kawsay, mitakuye oyasin. This article examines Industrial Design as a profession that supports the modern-capitalist civilization pattern, which has harmful efects on a global level. In response, it states the possible creation of alternatives to coexist with industrial civilization; these alternatives are development-oriented equivalents of Design that have emerged from traditions that difer from the dominant Western traditions, and originated in locations relegated geographically, as well as in hegemonic epistemological locations. The article concludes that the Designs of the South have been present throughout history; time is required to recognize the Designs, to start designing and be designed by them.
for their contributions. They not only helped us in the assessment of the papers and contributed to making them better; they have also been a crucial part of the dialogue, one we hope this special issue is but the beginning.
En esta subjetiva, personal, localizada y participante meditación sobre sujetos y subjetividades, refiero mi experiencia educativa con estudiantes de diseño industrial de la Universidad Jorge Tadeo Lozano de Bogotá, Colombia, de la misma asignatura: Investigación para Proyecto de Grado (IPG), tras casi tres años (2009-2012) dedicados a propiciar conversaciones y aproximaciones en el aula, en dinámicas que denomino de diseño de comunidades para consolidar fuertes vínculos intersubjetivos. Mi argumento, no lineal, sino fragmentario y circular (de ahí el nombre “rapsodia”), lo planteo desde autores a quienes considero defensores, tanto de la subjetividad como de sujetos empíricos con nombre y apellido (Alain Touraine, Judith Bulter, Boaventura de Sousa Santos, Tony Fry, Klaus Krippendorff, Judith Bulter, Veena Das, CliffordGeertz, etc.). Los cinco cantos: 1. El consumo de la personalidad, 2. Artefactos y no objetos. 3. Diseñar como condición de subjetivación, 4. Los cuerpos en las palabras y 5. Las palabras en los cuerpos, constituyen un manifiesto que elaboré en primera persona (localización participante) para explicar el porqué considero que todo diseño, cuanto más profesional más subjetivo e intersubjetivo, surge del encuentro entre personas asimismo localizadas y participantes.
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