Poor air quality inside museums is one of the main causes influencing the state of conservation of exhibits. Even if they are mostly placed in a controlled environment because of their construction materials, the exhibits can be very vulnerable to the influence of the internal microclimate. As a consequence, museum exhibits must be protected from potential negative effects. In order to prevent and stop the process of damage of the exhibits, monitoring the main parameters of the microclimate (especially temperature, humidity, and brightness) and keeping them in strict values is extremely important. The present study refers to the investigations and analysis of air quality inside a museum, located in a heritage building, from Romania. The paper focuses on monitoring and analysing temperature of air and walls, relative humidity (RH), CO2, brightness and particulate matters (PM), formaldehyde (HCHO), and total volatile organic compounds (TVOC). The monitoring was carried out in the Summer–Autumn 2020 Campaign, in two different exhibition areas (first floor and basement) and the main warehouse where the exhibits are kept and restored. The analyses aimed both at highlighting the hazard induced by the poor air quality inside the museum that the exhibits face. The results show that this environment is potentially harmful to both exposed items and people. Therefore, the number of days in which the ideal conditions in terms of temperature and RH are met are quite few, the concentration of suspended particles, formaldehyde, and total volatile organic compounds often exceed the limit allowed by the international standards in force. The results represent the basis for the development and implementation of strategies for long-term conservation of exhibits and to ensure a clean environment for employees, restorers, and visitors.

The accelerated development and expansion of cultural tourism in areas with unique tourist objectives, characterised by a high degree of risk in terms of their physical and chemical integrity, requires sustained efforts by all stakeholders to identify new methods, techniques, and procedures for their conservation, protection, and capitalisation, with respect to tourism. The aim of this study was to propose an optimal methodology for capitalising on tourism related to wooden churches, regarded as a structural item of tangible cultural heritage, with positive effects on the protection, conservation, information, and awareness of all stakeholders in tourism development. This involved the development of a web portal, in which were integrated the 3D models related to the analysed objects, the panoramic images inside them, the audio support, the photographs, and the accompanying text necessary to create and render a virtual reality (VR) production for purposes of virtual tourism (VT). The results obtained consisted of the creation of the website Bihor360°, which is freely navigable and whose content, including both textual and graphic information, can be easily accessed by all interested users. The aim involved was to release an online bridge for potential visitors to the fragile tourist attractions, facilitating the development of active knowledge and VR while raising awareness among the population and the local authorities about the role and the importance of the wooden churches in tourism and the local economy.

The present study describes the results of air quality analysis and surfaces inside the Orthodox Church in Oradea City, Romania, a wooden monument (BH-II-m-B-20958), originally built in the village Letca from Sălaj County and displaced in 1991 to the campus of the University of Oradea. The paper focuses on the degree of microbial and fungal contamination of surfaces and air inside the wooden church. It also identifies various microbial species with potential risk on the health of parishioners and those in charge of maintaining the halidom.

Old textiles are important elements of thecultural heritage. As a result of their composition mostly of natural elements old textiles are extremely prone to physical and chemical degradation due to fungal action. The treatments usually applied for the cleaning of heritage textiles target the use of synthetic fungicides, which are potentially harmful to both human health and the environment. Numerous studies highlight as an alternative to the use of conventional antifungals, the employment of essential oils and plant extracts, which are environmentally friendly and which have no adverse effects on human health. Against this background the present study aims to test six essential oils (Lavandula angustifolia, Citrus limon, Mentha piperita, Marjoram, Melaleuca alternifolia, Origanum vulgare) to establish their inhibitory effects against fungi identified on an old piece of traditional Romanian clothing from Maramureş. For the study, the types of fungi present on the objects was determined primarily through the open plates technique and microscopic identification. After identification, the essential oils were applied to the delimited surfaces, and their effects observed up to 32 days after application. The results show that these essential oils have a strong inhibitory effect on such fungal genera as Penicillinum sp., Cladosporium sp., Aspergillus spp., Candida guillermondii, Botrys sp., Mucor sp., having no observable side-effects on the physical properties of the materials concerned. The antimicrobial effects that essential oils and plant extracts have in the short term must be tested in future to ensure the enhanced preservation of heritage textiles and the health integrity of the restorers and visitors who view them in museums, collections or exhibitions.

This study is an attempt to monitor the indoor microclimate and the microbiological contamination of some indoor objects inside a wooden Orthodox church. Standard microbiological techniques were used for the isolation and identification of the fungi present in the dust of the superficial surface of the paintings chosen to be investigated for biodeterioration. Samples were taken from approximately 1 cm 2 of the surface of the analysed paintings (cotton canvas, wood, on primer) using the cotton swab method. The cultures of fungus isolated from the studied paintings were identified based on their morphological and microbiological characteristics. The identity of isolates was established, based on the smear microscopic examination, using the lactophenol blue cotton staining procedure. Based on the morphological characteristics of conidiophores, the following fungal genera were determined to be present in the dust of the studied paintings: Streptomyces sp., Arthrographis sp., Beauveria sp., Aspergillus sp., Penicillium sp., Alternaria sp., Cladosporium sp., and Streptomyces sp. The current state of paintings, influenced in time by temperature, humidity, brightness, microbial contamination, and other factors, was investigated and mapped. The detailed analysis contributes to the conservation stage of the historic monument investigation, enhancing the existing data in the environments destined for the conservation of valuable objects. The continuous monitoring of the indoor microclimate, together with the maintaining of good hygiene, cleaning conditions and proper ventilation, could successfully contribute to the slowing down of painting degradation within the wooden church monument.