Abstract. The article deals with the hermeneutic analyses of the intertextual passages from the novel Ulysses by J. Joyce in the original and translation as a theoretical base of which the principle of palimpsest is considered, i.e. simultaneous sounding in the target text of the "voices" of the source text author, the narrator, characters of the original and prototext-sources of intertextual passages. It has been found that there is an emergence of implicit meanings in the original version, that is seen in the presence in the integral text of the analyzed chapter Oxen of the Sun of special communicative overtones, lacking in some separate constituent propositions of it. Linguistic and extralinguistic means, which retain the semantic emergence at the level of content-conceptual information and implication in the target text, are studied. It is shown that semantic emergence of the target text is fulfilled when the translator aims at an ideal elite reader (the translation by V.A. Khinkis and S.S. Khoruzhiy) and is not conveyed in case the puristic approach to the target language is actualized as the thesaurus of an average reader doesn't transfer the language play of palimpsests layers (translation by S.A. Makhov), and thus can't be considered as communicatively adequate. СЕМАНТИЧЕСКАЯ ЭМЕРДЖЕНТНОСТЬ КАК ПЕРЕВОДЧЕСКАЯ ПРОБЛЕМА Светлана Васильевна СеребряковаСеверо-Кавказский федеральный университет, г. Ставрополь, Российская Федерация Александра Ивановна МилостиваяСеверо-Кавказский федеральный университет, г. Ставрополь, Российская ФедерацияАннотация. В статье на основе герменевтического анализа интертекстуальных пассажей из романа Дж. Джойса «Улисс» в оригинале и переводных версиях на русский язык рассматривается транслатологи-ческая проблема реализации принципа палимпсеста -одновременного звучания в тексте-трансляте «голо-сов» автора исходного текста, повествователя-нарратора, персонажей текста оригинала и прототекстов -источников интертекстуальных пассажей -и возникающей при этом эмерджентности. На материале одной главы романа («Oxen of the Sun» -«Быки солнца») показано, что в тексте оригинала семантическая эмерд-жентность имплицитных смыслов создается особыми коммуникативными обертонами, отсутствующими у отдельных конституирующих его пропозиций. Описано, с использованием каких лингвистических и паралин-гвистических средств обеспечивается сохранение в переводах семантической эмерджентности на уровне
The article considers characteristics of telling stories in diegesis on the material of newspaper narrative. The aim of the article is examining communicative and pragmatic parameters of German newspaper reportages under the conditions of transformation of a multi-chronotope paper narrative model with the help of displacement of a communicative act of a narrator and a reader into the temporal and local space of the described characters. As examples of diegetic journalist texts, Shams Ul-Haq’s reports are considered that are outstanding specimen of German journalism. The reporter came from Pakistan and settled in Germany. The given reportages were made using the method of undercover observation, when the journalist is disguised as a described character and is a communicator in diegesis. The research makes it possible to conclude that pragmatically meaningful positions in narrative are the chronotope, the voices of the storyteller and the described characters, communicating with recipients. The article confirms the thesis of relevance of speech act synergy for optimization of persuasion in the research report with the help of displacement of the narrator/journalist into the environment of the described characters, where he can start a dialogue with the characters and the reader.
The article discusses the comparative hermeneutic analysis of the semantic-derivational worldview of the translators who render the classical poetic text in different historical periods. The relevance of the study is stipulated by the increased attention to the sociocultural determination of meaning generation within the framework of the cognitive-and-discursive paradigm that dominates in the modern community of linguists and translators. Cossack Cradle Song and its five translations into German carried out in different periods served as the practical material. The article aims to establish the features of multi-temporal Russian-German translations of the poem and the source text as a single semantic space that reflects the worldview of the author of the original text, variably explicated by different translators through the language of the target text. According to the research hypothesis, poetic translation reflects the translator's hermeneutic interaction with the original text, which generates the personal meaning of the translated text. The findings of the linguo-stylistic analysis of the Cossack Cradle Song at the semantic, meta-semiotic, and meta-metasemiotic levels, reveal that the compensation technique plays the leading role in the process of translating the poetic text studied in this article, contributing to the achievement of expressive and impressive equivalence of the original and the translation in the process of explication of invariant content-factual and content-conceptual meanings, as well as the subjective-personal determinism of translation decisions, which does not contradict the intentions implied by the author of the source text.
scite is a Brooklyn-based organization that helps researchers better discover and understand research articles through Smart Citations–citations that display the context of the citation and describe whether the article provides supporting or contrasting evidence. scite is used by students and researchers from around the world and is funded in part by the National Science Foundation and the National Institute on Drug Abuse of the National Institutes of Health.
hi@scite.ai
10624 S. Eastern Ave., Ste. A-614
Henderson, NV 89052, USA
Copyright © 2024 scite LLC. All rights reserved.
Made with 💙 for researchers
Part of the Research Solutions Family.