El presente artículo explora la discusión en torno al concepto de mousiké conservada en los Comentarios sobre música de Filodemo de Gadara, principalmente la relación entre poesía y música tal como la conciben Filodemo y sus adversarios estoicos. Esa misma relación se explora también en los textos de Platón, señalando los vínculos entre la defensa del concepto de mousiké como un arte poético-musical y el proyecto de una educación a través de la música. Finalmente, se sugiere la existencia de una correspondance, hasta ahora no reconocida, entre la larga cita de las Leyes con la que concluye la primera parte de los Comentarios y la sección de la “réplica” en la que Filodemo aboga por un concepto de mousiké como un arte independiente de la poesía.
patients are received traditional method. In the HFNC group, the changes of P/F ratio and HR is significantly greater compared to the traditional group (P/F ratio: 285 (74.4) to 311.2 (112.0) vs 323.1 (98.2) to 236.2 (79.8); p=0.027, ABP (m): 84.0 (12.3) to 89.4 (11.9) vs 83.6 (14.5) to 84.5 (12.9) mmHg; p=0.007). However, HR and RR were not different between the groups. By using HFNC, mean P/F ratio of post extubation was as same as pre extubation. Furthermore, there was no difference in re-intubation rate (14.8% vs 7.8%). Conclusions: Early HFNC before extubation may prevent hypoxemia after extubation. When using HFNC starting from just before extubation, we can have predictable oxygenation after extubation.
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