2005
DOI: 10.1017/s0018246x05004668
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Young Women, Work, and Leisure in Interwar England

Abstract: Interwar England witnessed the emergence of a new generation of socially and financially independent young working-class women who worked in offices, shops, and factories, ‘dressed like actresses’, and were prominent leisure consumers, indulging in cosmetics and confectionery and frequenting the cinema and dance hall. This article analyses that development. A synthesis of qualitative and quantitative material indicates that age- and gender-specific roles were shaped by material factors rather than by ‘custom’ … Show more

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Cited by 19 publications
(5 citation statements)
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“…After global industrialization, many activities classified as entertainment started to emerge and hence, many people of all statuses, including the lower, middle and upper classes, engaged in leisure activities, sometimes compromising their own individual work agendas. Some scholars have argued that sexual divisions of labour also shaped the patterns of earning and leisure allocation (Todd, 2005). Further, this concept of leisure has blurred the idea of the Protestant work ethic, "one must work, one must succeed".…”
Section: Work In the Ancient Worldmentioning
confidence: 99%
“…After global industrialization, many activities classified as entertainment started to emerge and hence, many people of all statuses, including the lower, middle and upper classes, engaged in leisure activities, sometimes compromising their own individual work agendas. Some scholars have argued that sexual divisions of labour also shaped the patterns of earning and leisure allocation (Todd, 2005). Further, this concept of leisure has blurred the idea of the Protestant work ethic, "one must work, one must succeed".…”
Section: Work In the Ancient Worldmentioning
confidence: 99%
“…By the inter-war period it had become increasingly common for unmarried middleclass women to create their own households but was perhaps more unusual among the lower-middle and working classes. However it was also still the norm for adult children, especially daughters, to provide support for older people at this time (Todd, 2005;Thane, 2000, pp. 299-301).…”
Section: Florence Turtle (1896-1981)mentioning
confidence: 99%
“…On the other hand, though, Gwen's passivity ran counter to the experiences of a new generation of cinemagoers: financially independent working-class women, whose expanding opportunities for employment in shops, factories, and offices, as well as their role as "breadwinner" in the home meant that, as Selina Todd writes, they had greater social freedom than before the war despite not being granted equal rights to vote until 1928. 85 The failure of these early films thus emerges as a product of their recycling the lovers into law-abiding citizens, thereby ignoring the antiauthoritarian sensibilities of a largely working-class audience. 86 This trend was thrown into sharp relief by the phenomenal box office success of Samuel Goldwyn's 1930 "talking" film Raffles starring English actor Ronald Colman.…”
Section: ■ ■ ■mentioning
confidence: 99%