“…Teaching would be a set of activities designed with the aim of producing learning in others, starting from the beliefs that the "others" do not possess certain knowledge or only possess it partially, i.e. there is intentionality (Strauss, 2005;Ziv & Frye, 2004;Ziv, Solomon, & Frye, 2008), which is evaluated to determine both whether the student has learned or attained the aims of the curriculum, and whether the quality of teaching is appropriate (Black & Wiliam, 1998;Crooks, 1988;Hill, 2000). Between the traditional teaching standpoint at conservatories, where the teacher is in charge of transmitting knowledge to the student (Hallam, 1998), and -in the words of Musumeci (2005) -the "more humanly compatible" position according to which the teaching of music is based on the student constructing his/her knowledge (Andrews, 2004;Eley, 2006), there is a wide range of conceptions regarding what is taught, what is learned and how both the processes and the product of playing an instrument are evaluated.…”