1999
DOI: 10.1111/1467-9481.00089
|View full text |Cite
|
Sign up to set email alerts
|

Yorkville Crossing: White teens, hip hop and African American English

Abstract: This case study focuses on a white upper middle class New York City teenager who employed linguistic features of African American Vernacular English (AAVE). It describes some of these features, discusses their origins, and explores the complex dynamics of identi®cation with hip hop, a youth subculture involving the consumption of rap music, baggy clothes and participation in activities like break dancing, writing grati and rapping.

Help me understand this report

Search citation statements

Order By: Relevance

Paper Sections

Select...
1
1
1
1

Citation Types

2
89
1
4

Year Published

2003
2003
2013
2013

Publication Types

Select...
5
4

Relationship

0
9

Authors

Journals

citations
Cited by 246 publications
(99 citation statements)
references
References 20 publications
2
89
1
4
Order By: Relevance
“…Such cases are different from most of the examples of "crossing" available in the literature. More typical cases of crossing, let us remember, are of an upper-middle-class New York City white teenager who employs some features of African American Vernacular English (AAVE) in order to identify with the Black youth subculture he seeks out (Cutler 1999 ); impromptu use of German among adolescents in a multilingual school in inner London (Rampton 1999b ); or a white boy in a California high school who uses AAVE for much the same reasons as the New Yorker (Bucholtz 1999 ). In such cases the target identity indexed with a certain kind of stylization of speech remains elusive and one remains inauthentic.…”
Section: B I O G R a P H I C A L G L I M P S E S O F T H E L I V E S mentioning
confidence: 99%
“…Such cases are different from most of the examples of "crossing" available in the literature. More typical cases of crossing, let us remember, are of an upper-middle-class New York City white teenager who employs some features of African American Vernacular English (AAVE) in order to identify with the Black youth subculture he seeks out (Cutler 1999 ); impromptu use of German among adolescents in a multilingual school in inner London (Rampton 1999b ); or a white boy in a California high school who uses AAVE for much the same reasons as the New Yorker (Bucholtz 1999 ). In such cases the target identity indexed with a certain kind of stylization of speech remains elusive and one remains inauthentic.…”
Section: B I O G R a P H I C A L G L I M P S E S O F T H E L I V E S mentioning
confidence: 99%
“…In addition, race-based ethnic groups are often less homogeneous linguistically than is assumed (Baugh, 1996:410, 412;Hinton & Pollock, 2000;Horvath & Sankoff, 1987:184;Labov, 1972:299) and in situations of frequent interethnic contact, it is not uncommon for racial groups to converge (e.g., Ash & Myhill, 1986;Wolfram, 1974) or to make use of linguistic features from the other group (e.g., "crossing" [Rampton, 1995]; cf. Cutler, 1997;Jacobs-Huey, 1997). For groups without the "hard" boundaries of language or race, religion is often invoked as a criterion (e.g., Benor, 2001;Knack, 1991;Labov, 1966;Laferriere, 1979;McCafferty, 2001;Meechan, E T H N O L E C T S A N D T H E C I T Y 39 1999).…”
mentioning
confidence: 99%
“…(Cutler, 1999a(Cutler, , 1999bPennycook 2003Pennycook , 2007 Are White Hip-Hoppers in America, such as Eminem, or in the U.K., such as Plan B, inauthentic? Eminem addresses this in Yellow Brick Road, where there is recognition of the stereotype with the line "he looked at me like I'm out my mind, shook his head like white boys don't know how to rhyme.…”
Section: Ethnicitymentioning
confidence: 99%
“…Hip-Hop and Country artists are very aware of their language and self-consciously construct their lexical production when performing, often changing their speech to build solidarity with their intended interlocutor and to exclude those not members of the group (Bell, 1984;Cutler, 1999b;Alim, 2004). An example of this linguistic self-awareness is Nelly's Country Grammar (2000) with the lyrics "My grammar be's Ebonics, gin tonic and chronic, F---bionic it's ironic..."…”
Section: Languagementioning
confidence: 99%