“…In Hong Kong, where the current study took place, buskers can be arrested for soliciting tips in public places, whereas in Australian cities such as Melbourne and Sydney, street performance is legal and regulated through a licensing system (City of Melbourne, n.d.; City of Sydney, 2019). Over the years, research on street performance has mostly focused on performances and performers (Carlin, 2014; Gomes, 2000; Harrison-Pepper, 1990; Kaul, 2014; Marina, 2018; Moore, 1974; Prato, 1984; Press & McNamara, 1975; Rebeiro Gruhl, 2017; Tanenbaum, 1995) and there is a surprising lack of attention paid to the perspective of the audience. This article takes a psychological approach to focus on the audience of street performance, that is, street audience .…”