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2019
DOI: 10.1017/9781108641012
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Work and the Reader in Literary Studies

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Cited by 11 publications
(2 citation statements)
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“…We are certainly still focused on intentions -but they are fluid intentions, which are inscribed in actions by various agents from author to publisher to editor to reader. By re-experiencing these compositional movements, the edition puts writing back at the centre as an experiment of language, and invites the reader, as Paul Eggert has also recently argued, to be central to the editorial enterprise 20 . The editor then becomes the reader and agent who will build digital tools that get other readers closer to the intricacies of this composition.…”
Section: "Interreadings": Hawthorne and His Mossesmentioning
confidence: 99%
“…We are certainly still focused on intentions -but they are fluid intentions, which are inscribed in actions by various agents from author to publisher to editor to reader. By re-experiencing these compositional movements, the edition puts writing back at the centre as an experiment of language, and invites the reader, as Paul Eggert has also recently argued, to be central to the editorial enterprise 20 . The editor then becomes the reader and agent who will build digital tools that get other readers closer to the intricacies of this composition.…”
Section: "Interreadings": Hawthorne and His Mossesmentioning
confidence: 99%
“…Nosso foco no discurso de resenhistas justifica-se por um entendimento da recepção como parte do "modelo da vida da obra literária encarnada", como proposta por Paul Eggert (2019). De acordo com este teórico dos estudos textuais, Sempre há, para toda obra, um continuum de produção-consumo que normalmente abrange a escrita, revisão, copidesque, edição, publicação (seja esta única ou múltipla, voltada para um público específico ou para outro), seguidas de alguma forma de distribuição, venda ou doação e, finalmente, de leitura e comentários de terceiros.…”
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