Women Mathematicians: Eight Women's Experiences

Haciendo género con pizarras: aportes de la antropología simétrica al estudio del género en la investigación matemática

“…En palabras de una entrevistada: "Las mujeres que tienen niños no tienen todo el tiempo que tiene un hombre" (E6.P4 Mujer). Asimismo, se hace hincapié en la relativa invisibilización de la que son objeto cuando desempeñan roles de liderazgo, especialmente en áreas y disciplinas de carácter abstracto, que tienden a identificarse con figuras masculinas (Berrios 2007;Day 1997;Faulkner 2000;Keller 1991) -lo que redunda en la construcción de subjetividades siguiendo imágenes de extranjería, intrusión y rareza (Buquet Corleto et al 2013;Day 1997;Fardella et al 2021;Martínez-Labrín 2015;Ríos, Mandiola y Varas 2017).…”

A Comparative Study of the Novel Beloved and its Film Adaptation: A Multimodal Perspective

“…Archakis et al (2018, p. 56) cited what both Halverson (2010)and van Leeuwen (2008)stated about the four modes of representation which entailed "mise-en-scène, sound, editing, and cinematography" which correspond to Halliday's (2014) three meta-functions of language in which "mise-en-scène and sound relate to the representational function, cinematography relates to the interpersonal function, and editing relates to the textual function". Day (2019)claimed that the film theory of the male gaze "which is associated with scopophilia, voyeurism, and narcissism to have a better understanding of how others have analysed the portrayal of women in film" is based on Mulvey's (1975) coinage of these concepts. Freeman (2018)claimed that the male gaze is "interchanged with sexual objectification which is looking at the person as a mere object for sexual pleasure".…”