Woman as Nation in Mangunwijaya's "Durga Umayi"

Bodden, Michael H.

doi:10.2307/3351392

Cited by 7 publications

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“…Dari keempat novel tersebut dapat diamati bahwa cerita yang diangkat oleh keempat pengarang Indonesia, mengisahkan hubungan untuk menguasai antara tokoh satu dengan tokoh lain (Nada, 2017). Selain empat karya tersebut, novel Durga Umayi karya Mangunwijaya juga menghadirkan tokoh pinggiran, yaitu petani dan kaum wanita sebagai kritik atas penguasa Orde Baru yang egaliter (Bodden, 1996). Adanya relasi antartokoh ini menimbulkan permasalahan hegemoni, karena terdapat keinginan untuk saling menguasai dan memimpin Sementara itu, tokoh yang dipimpin tidak memiliki kebebasan untuk menjadi dirinya, sehingga merugikan individu maupun kelompok itu sendiri.…”

Section: A Pendahuluanunclassified

Bentuk-Bentuk Hegemoni pada Tokoh Periferal dalam Novel “Pasung Jiwa” Karya Okky Madasari

Geleuk

2020

diglosia

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This study aims to explain the forms of power experienced by peripheral characters in the Pasung Jiwa novel by Okky Madasari. In addition, this study also explains the strategies carried out by these three peripheral characters to fight systemic power in the midst of society. In terms of analyzing existing problems, this research uses the theory of Hegemony from Antonio Gramsci through descriptive qualitative methods using the sociology of literary works, namely using forms of power that have been developed on the three characters in the story. The results showed the difference between humans in getting freedom in the period before and after the reform. This novel shows the existence of hegemony that occurs in several peripheral characters in the story, namely Sasana, Cak Jek, and Elis. In the process of searching for identity, the three of them found what was done by the family, even in religious organizations. These forms of hegemony also dominate their bodies and minds. Sasana, Cak Jek, and Elis are aware that its domination does not only occur in themselves, but also in the whole society. Therefore, these three characters choose to fight the hegemony that experienced in themselves with the struggle to make themselves free from the systemic power, both from the confinement family, the norms that exist in society, work, and also the doctrines of religion that have already dominated Sasana, Cak Jek, and Elis.

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Section: A Pendahuluanunclassified

Bentuk-Bentuk Hegemoni pada Tokoh Periferal dalam Novel “Pasung Jiwa” Karya Okky Madasari

Geleuk

2020

diglosia

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“…Microfon tersebut berjalan menuju Iin, memintanya berbicara pada dunia tentang yang ia rasakan, lalu microfon itu kembali lagi ke tempat semula. Menurut Bodden (1996), microfon ini berperan sebagai 'penyambung lidah rakyat'. Ketika ia secara misterius berjalan menuju Iin, microfon tersebut berfungsi sebagai kunci dalam menciptakan hubungan antara Iin, sebagai karakter individu, dan Iin sebagai simbol masa depan bangsa.…”

Section: Iin Dalam Fiksi Realis Magisunclassified

Domestikasi Ruang dalam Durga Umayi: Melampaui Nation, Menuju “Tubuh Politis”

Fawaid¹

2020

suluk

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This paper aim to show the "spatial politics" strategy done by Mangunwijaya in Durga Umayi (1991). Spatiality was formed through the character of a female figure, Iin Sulinda Pertiwi Nusamusbida, who continuously created tension and contestation towards the 'ideal home' (place) imagined by the state. Mangunwijaya deconstructed and dominated places by offering scale reversal and exceeding the idea (geographical) of the nation through magical realism, domestic space, travel, and the body.

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