Why Do You Dance? Development of the Dance Motivation Inventory (DMI)

Maráz, Anikó; Király, Orsolya; Griffiths, Mark D.; Demetrovics, Zsolt

doi:10.1371/journal.pone.0122866

Cited by 50 publications

(52 citation statements)

References 41 publications

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“…A much discussed effect of dance is its power to increase well‐being, quality of life, and mood . However, in keeping with the framework outlined above, we propose that well‐being is a secondary effect of deeper biological effects caused by the functions of dance just as has been suggested for music (Fig.…”

Section: Discussionsupporting

confidence: 71%

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Not all about sex: neural and biobehavioral functions of human dance

Christensen

Cela‐Conde

Gomila

2017

Annals of the New York Academy of Sciences

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This paper provides an integrative review of neuroscientific and biobehavioral evidence about the effects of dance on the individual across cultural differences. Dance moves us, and many derive aesthetic pleasure from it. However, in addition-and beyond aesthetics-we propose that dance has noteworthy, deeper neurobiological effects. We first summarize evidence that illustrates the centrality of dance to human life indirectly from archaeology, comparative psychology, developmental psychology, and cross-cultural psychology. Second, we review empirical evidence for six neural and biobehavioral functions of dance: (1) attentional focus/flow, (2) basic emotional experiences, (3) imagery, (4) communication, (5) self-intimation, and (6) social cohesion. We discuss the reviewed evidence in relation to current debates in the field of empirical enquiry into the functions of human dance, questioning the positions that dance is (1) just for pleasure, (2) all about sex, (3) just for mood management and well-being, and (4) for experts only. Being a young field, evidence is still piecemeal and inconclusive. This review aims to take a step toward a systematization of an emerging avenue of research: a neuro- and biobehavioral science of dance.

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Section: Discussionsupporting

confidence: 71%

“…300,303,304 Furthermore, being a professional artist/dancer can be a health hazard. [305][306][307][308][309][310][311][312] This suggests that there might be a healthy "dosage" and "treatment range" for engagement with any art.…”

Section: Dance Is For Experts Onlymentioning

confidence: 99%

Not all about sex: neural and biobehavioral functions of human dance

Christensen

Cela‐Conde

Gomila

2017

Annals of the New York Academy of Sciences

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“…Prior research on motivation for dance indicated that adults dance to improve their mood, fitness, self-confidence, and mastery and to socialize with others (Maraz, Kiraly, Urban, Griffiths, & Demetrovics, 2015). This research suggests that adults expect improvements in more than just the physical domain, yet there is very little research examining perceived or objectively measured cognitive, social, or emotional improvements associated with dancing.…”

mentioning

confidence: 99%

Dancer perceptions of the cognitive, social, emotional, and physical benefits of modern styles of partnered dancing

Lakes

Marvin²,

Rowley³

et al. 2016

Complementary Therapies in Medicine

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Objective To study dancers’ perceptions of the physical, cognitive, affective, and social benefits of partnered dancing. Method 225 dancers (71% female) were recruited through a community ballroom dance center and completed an online survey designed to measure their perceptions of the physical, cognitive, affective, and social benefits of modern, partnered dance styles (swing, Lindy Hop, and ballroom dancing). Subgroups were formed for analyses. For one set of analyses, groups based on length of dance participation were formed: experienced (dancing for more than 2 years) or novice (dancing for less than a year) dancers. For another set of analyses, groups based on frequency of dance practice were formed: committed (dancing at least one or more times per week) or occasional (dancing two or fewer times per month). Results The majority of participants reported perceived benefits in physical fitness, cognition, affect, and social functioning. Experienced dancers reported significantly greater self-perceived physical, social, and cognitive benefits than novice dancers. Committed dancers were more likely than occasional dancers to report improvements in physical fitness, U = 6,942, z = 2.38, r = .16, p <.05. A Mann-Whitney test indicated that self-reported improvements in mood (i.e., feeling less depressed and more happy) were greater for women than for men, U = 3,945, z = −3.07, r = .20, p < .001. Length and frequency of dance participation significantly predicted perceived physical benefits [X2 (1,6) = 35.463, p <.001, R2 = .16] and social benefits [X2 (1,6) = 15.776, p <.05, R2 =.07], but not cognitive benefits. Conclusions Results suggest that participation in partnered dance styles is associated with perceived improvements in physical fitness, cognitive functioning, social functioning, mood, and self-confidence, and that perceived benefits may increase as individuals dance more frequently and over longer periods of time.

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“…TMD-associated pain can affect one's performance on activities of daily life, psychosocial functioning, and quality of life 17 . Dance provides a tiring, but pleasant way to exercise that can improve the fitness level and encourage a more active lifestyle 18 . Pain intensity and fear of mandible movements play an important role in the decision to seek care for orofacial pain.…”

Section: Discussionmentioning

confidence: 99%

Patients with chronic pain: degree of kinesiophobia related to dance practice

Cavalcante-Leão¹,

Stechman-Neto²,

Ravazzi³

et al. 2018

Brazilian Journal of Pain

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BACKGROUND AND OBJECTIVES: Temporomandibular disorder is a generic term for conditions that affect the temporomandibular joint, mastication muscles and/or associated structures. The multifactor etiology of the temporomandibular disorder requires multidisciplinary treatment. As constant pain is one of the main characteristics of this disorder, some patients limit their movements during physical activities as a defense mechanism to protect against pain. The present study aimed to determine whether the participation of individuals with the temporomandibular disorder in dance therapy is related to the fear of practicing physical activities. METHODS: An exploratory, quantitative study was conducted with a sample of 35 patients with chronic pain recruited from a clinic specialized in the diagnosis and treatment of temporomandibular disorder. The participants were allocated to two groups: active group (n=14) and control group (n=21). The Brazilian version of the Tampa Scale for Kinesiophobia was used to measure the fear of movement. RESULTS: Mean age was 46.4 years in the active group and 42.9 years in the control group. The mean kinesiophobia score (on a scale of 17 to 68) was 39 in the active group and 39.8 in the control group. CONCLUSION: The present findings demonstrate no significant difference in terms of the degree of kinesiophobia between individuals who agreed and declined to participate in the proposed activity (dance).

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Why Do You Dance? Development of the Dance Motivation Inventory (DMI)

Cited by 50 publications

References 41 publications

Not all about sex: neural and biobehavioral functions of human dance

Not all about sex: neural and biobehavioral functions of human dance

Dancer perceptions of the cognitive, social, emotional, and physical benefits of modern styles of partnered dancing

Patients with chronic pain: degree of kinesiophobia related to dance practice

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