“…It has been suggested that iconic manual representations are generated by selecting salient features of the referent from our conceptual knowledge (e.g., the wings of a butterfly), schematizing them into a manual structure (e.g., linking the wings with human arms), and producing an iconic gesture that evokes the selected features (e.g., flapping arms to represent a butterfly) (Emmorey, 2014;Taub, 2001;Van Nispen et al, 2017). If we ascribe to embodied theories of gesture production (Cook & Tanenhaus, 2009;Hostetter & Alibali, 2008;Kita, Alibali, & Chu, 2017) and assume that our conceptual knowledge is grounded in motor schemas (Barsalou, 1999(Barsalou, , 2008Lagacé & Guérard, 2015) then it is likely that many gestures may converge in the form to represent a concept. Therefore, the affordances of the manual modality as well as our shared mental schemas may be the two forces that come together and result in iconic gestures that converge in form and meaning across a group of individuals.…”