The present study implemented a sign-repetition task at two points in time to hearing adult learners of British Sign Language and explored how each phonological parameter, sign complexity, and iconicity affected sign production over an 11-week (22-hour) instructional period. The results show that training improves articulation accuracy and that some sign components are produced more accurately than others: Handshape was the most difficult, followed by movement, then orientation, and finally location. Iconic signs were articulated less accurately than arbitrary signs because the direct sign-referent mappings and perhaps their similarity with iconic co-speech gestures prevented learners from focusing on the exact phonological structure of the sign. This study shows that multiple phonological features pose greater demand on the production of the parameters of signs and that iconicity interferes in the exact articulation of their constituents.

The study of iconicity, defined as the direct relationship between a linguistic form and its referent, has gained momentum in recent years across a wide range of disciplines. In the spoken modality, there is abundant evidence showing that iconicity is a key factor that facilitates language acquisition. However, when we look at sign languages, which excel in the prevalence of iconic structures, there is a more mixed picture, with some studies showing a positive effect and others showing a null or negative effect. In an attempt to reconcile the existing evidence the present review presents a critical overview of the literature on the acquisition of a sign language as first (L1) and second (L2) language and points at some factor that may be the source of disagreement. Regarding sign L1 acquisition, the contradicting findings may relate to iconicity being defined in a very broad sense when a more fine-grained operationalisation might reveal an effect in sign learning. Regarding sign L2 acquisition, evidence shows that there is a clear dissociation in the effect of iconicity in that it facilitates conceptual-semantic aspects of sign learning but hinders the acquisition of the exact phonological form of signs. It will be argued that when we consider the gradient nature of iconicity and that signs consist of a phonological form attached to a meaning we can discern how iconicity impacts sign learning in positive and negative ways.

An unprecedented number of empirical studies have shown that iconic gestures-those that mimic the sensorimotor attributes of a referent-contribute significantly to language acquisition, perception, and processing. However, there has been a lack of normed studies describing generalizable principles in gesture production and in comprehension of the mappings of different types of iconic strategies (i.e., modes of representation; Müller, 2013). In Study 1 we elicited silent gestures in order to explore the implementation of different types of iconic representation (i.e., acting, representing, drawing, and personification) to express concepts across five semantic domains. In Study 2 we investigated the degree of meaning transparency (i.e., iconicity ratings) of the gestures elicited in Study 1. We found systematicity in the gestural forms of 109 concepts across all participants, with different types of iconicity aligning with specific semantic domains: Acting was favored for actions and manipulable objects, drawing for nonmanipulable objects, and personification for animate entities. Interpretation of gesture-meaning transparency was modulated by the interaction between mode of representation and semantic domain, with some couplings being more transparent than others: Acting yielded higher ratings for actions, representing for object-related concepts, personification for animate entities, and drawing for nonmanipulable entities. This study provides mapping principles that may extend to all forms of manual communication (gesture and sign). This database includes a list of the most systematic silent gestures in the group of participants, a notation of the form of each gesture based on four features (hand configuration, orientation, placement, and movement), each gesture's mode of representation, iconicity ratings, and professionally filmed videos that can be used for experimental and clinical endeavors.

The sign languages of deaf communities and the gestures produced by hearing people are communicative systems that exploit the manual-visual modality as means of expression. Despite their striking differences they share the property of iconicity, understood as the direct relationship between a symbol and its referent. Here we investigate whether non-signing hearing adults exploit their implicit knowledge of gestures to bootstrap accurate understanding of the meaning of iconic signs they have never seen before. In Study 1 we show that for some concepts gestures exhibit systematic forms across participants, and share different degrees of form overlap with the signs for the same concepts (full, partial, and no overlap). In Study 2 we found that signs with stronger resemblance with signs are more accurately guessed and are assigned higher iconicity ratings by non-signers than signs with low overlap. In addition, when more people produced a systematic gesture resembling a sign, they assigned higher iconicity ratings to that sign. Furthermore, participants had a bias to assume that signs represent actions and not objects. The similarities between some signs and gestures could be explained by deaf signers and hearing gesturers sharing a conceptual substrate that is rooted in our embodied experiences with the world. The finding that gestural knowledge can ease the interpretation of the meaning of novel signs and predicts iconicity ratings is in line with embodied accounts of cognition and the influence of prior knowledge to acquire new schemas. Through these mechanisms we propose that iconic gestures that overlap in form with signs may serve as some type of 'manual cognates' that help non-signing adults to break into a new language at first exposure.