Werk und Wirkung des Übersetzers Karl Klammer

Grimm, Reinhold

doi:10.1007/bf01838523

Cited by 9 publications

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“…El presente trabajo se centra en la dinámica entre el texto de partida y el texto meta, cuyas normas culturales actúan sobre el traductor y ejercen sobre él como filtro una considerable influencia. La comparación de traducciones resulta un método de investigación fructífero capaz de ilustrar desde una perspectiva diacrónica e interdisciplinar el desarrollo de la teoría de la tra-actually still considered to be the reference German translations of Villon's and Rimbaud's poetic works (Klammer 1955/56;Grimm 1960). His translation Ophelia was so widespread and appreciated that it set the tone to the vogue of the Wasserleichenpoesie (poetry of drowned corpses) in the German Fin de siècle.…”

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¿“Traducción cultural” versus “traducción poética”? Una categorización problemática al traducir poesía. El caso de la "Ophélie" de Artur Rimbaud en alemán

Forassaco

2013

Estud. Trad.

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Translating poetry represents the most arduous duty for the literary translator. Despite of its artistic nature translating verses can be object of the scientific investigation and contribute to the development of the translation studies. The following paper aims to examine the dynamics and the tensions being generated between the source text and the cultural norms of the target text, which act on the translator and considerably influence the filter. The comparison of translations becomes a fruitful method of inquiry, as it permits to shine a light on the development of translating theory in a diachronic perspective, which contributes to the study of the comparative cultural history, as well. This is the goal of the following comparison between two German translations of Rimbaud's Ophélie.

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