“We've seen it in the movies, let's see if it's true”

Abstract

PurposeThe purpose of this paper is to investigate what the authors have termed displacement theory (grounded in aspects of authenticity) within the larger phenomenon of film‐induced tourism and to present a clearer understanding of the inherent implications and opportunities for economic development this may bring.Design/methodology/approachThe objectives are achieved through critical review of previous film tourism literature combined with use of blog and key‐informant interview research. The research follows an interpretive paradigm and address a gap in the film‐induced tourism literature on the area of authenticity and displacement.FindingsKey research findings revealed that “3” distinct tourist types exist in film tourism which gives rise to “3” distinct markets. Authenticity is important to film tourists, especially when displacement occurs. There is a lack of industry understanding and recognition which ignores film locations when displacement occurs.Practical implicationsThere needs to be greater recognition and acceptance of film‐induced tourism, closer collaboration between tourist authorities and film bodies, greater efforts to develop and promote the film locations as opposed to the story settings/places depicted, retention or re‐creation of film sets – building simulacra if necessary to retain more essence of film authenticity and greater use of qualitative research, especially through new and innovative means such as the blog techniques used in this study.Originality/valueThis paper addresses a gap in previous film tourism literature regarding authenticity and displacement and as such makes an original contribution to this field. New innovative methods (using blog research) also bring a fresh approach. This paper will be of value to academics and industry practitioners interested in film‐induced tourism and indeed tourism in general, as well as students studying/researching this important field.

The role of familiarity in the assessment of Turkey’s country/destination image: going beyond soap operas

“…The growing popularity of Turkish soap operas, both historical and contemporary, proves the interest of the Croatian population in Turkey. In this regard, research findings support the conclusions made by Bolan et al (2011) and Kantarci et al (2017) about the necessity of closer collaboration and joint strategic approach of the tourism and film industries for destination (in this case Turkey) image building. The findings that negative perceptions are primarily related to human rights and gender inequality might (with caution) be interpreted as a result of cultural differences between the countries and of long-held stereotypes about conservative female dependence on male family members.…”

Ciudad y ficción audiovisual: enfoques para un análisis geográfico

“…Si bien Tooke & Baker (1996) postularon de forma temprana que "si la localización representa un escenario real diferente, los visitantes van al lugar representado. No está claro si también visitan la localización", investigaciones más actuales defienden que este tipo de casos también pueden tener potencial para la atracción turística (Bolan et al, 2011;Irimias, 2012;Nieto, 2020).…”

A fine line between red and dark: Anti-communist film-induced tourism

“…Thematic national history has been established in several past studies on media-related tourism, filminduced tourism, and cinematic or media-induced tourism (see Bolan, Boy, Bell, 2011;Cardoso, Estevão, Fernandes, Alves, 2017;Kim, Reijnders, 2018;O'Connor, Flanagan, Gilbert, 2008;Sabre, 2017), while certain past research on travel and tourism has focused on 'contents tourism' (Seaton, Yamamura, 2018). Meanwhile, mediarelated tourism is known as a phenomenon in which tourists travel to specific places associated with novels, films, or television series (Reijnders, 2016).…”

“…Tematyka historii narodowej została ugruntowana dzięki kilku pracom badawczym na temat turystyki medialnej, filmowej i kinowej (zob. Bolan, Boy, Bell, 2011;Cardoso, Estevão, Fernandes, Alves, 2017;Kim, Reijnders, 2018;O'Connor, Flanagan, Gilbert, 2008;Sabre, 2017), a niektóre badania prowadzone nad podróżowaniem i turystyką dotyczyły "turystyki treści" ("contents tourism") (Seaton, Yamamura, 2018). Z kolei fenomen podróżowania turystów do konkretnych miejsc związanych z powieściami, filmami czy serialami telewizyjnymi znany jest jako turystyka medialna (Reijnders, 2016).…”