Wayang beber animation media as an effort for preserving wayang tradition based on information and technology

Prilosadoso, Basnendar Herry; Pujiono, Bagong; Supeni, Siti; Setyawan, Bagus Wahyu

doi:10.1088/1742-6596/1339/1/012109

Cited by 9 publications

(9 citation statements)

References 8 publications

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“…According to the government regulation no 21 of 2020, regional restrictions due to an outbreak must be determined by the Ministry of Health. The policy impacted on the closure of access to arts and culture in most parts of Indonesia, which hit the economy of traditional art activists, including those of Wayang Golek whereas Wayang Golek and other traditional arts had a great contribution to the country in terms of economy, education, and religion (Foley, 2015;Prilosadoso, 2019;Setiawan, 2019;Subiyantoro, 2020;Wardani , 2017). Furthermore, Wayang is believed by Sedana to eliminate the trauma and fear of both local and international communities after the occurrence of terrorism in Bali (Sedana, 2005).…”

Section: Preventive Efforts In Preserving the Art Of Wayang Golek In ...mentioning

confidence: 99%

The Dynamics of Wayang Golek in Pandemic and Globalization: Traditional Art Sustainability

2021

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This research aims to explore the dynamics of wayang golek art and to highlight its sustainability in the future. Modernity, the acceleration of technological devices and globalization wave in the last two decades, transfers great pressure on traditional arts and culture. Wayang Golek, a performing art originally from West Java, has recently received a fairly strong wave of resistance due to changes in the social culture which is mainly leading to modernity. By using a qualitative approach, data collection techniques were carried out by interviewing two main players as the puppeteers of Wayang Golek. The data analysis uses the theory of Miles and Hubberman, and the theoretical study of Islamic studies. The results of the study show that 1) Wayang Golek has unique characteristics, where the talent needed tends to go through the "inheritance" tradition, 2) Wayang Golek can be a bridge for internalizing religious and humanist values for the community through unique stories based on custom, 3) the restriction of Wayang Golek performance due to the Covid-19 pandemic leads the puppeteers to be more creative to survive, such as creating videos and uploading them in YouTube and other social media, and 4) the preservation of this art depends on the serious attention of all parties, from the government, regional officials, and the community.Penelitian ini bertujuan untuk mengeskplorasi dinamika kesenian wayang golek, serta menyoroti keberlangsungan ‘hidup’ seni tradisional wayang golek dimasa yang akan datang. Era modernitas, akselerasi perangkat teknologi dan gelombang arus globalisasi dalam dua dekade terakhir, memberikan tekanan hebat pada wilayah seni dan budaya tradisional. Wayang Golek sebuah seni pertunjukkan yang berasal dari Jawa Barat akhir-akhir ini mengalami gelombang resistensi cukup kuat imbas dari perubahan kultur sosial masyarakat yang bergerak kearah modernitas. Dengan menggunakan pendekatan kualitatif, teknik pengumpulan data dilakukan dengan wawancara terhadap dua pemain utama sebagai “Dalang” Wayang Golek, observasi dan dokumentasi. Adapun analisis data menggunakan teori Miles dan Hubberman, dan kajian teoritis Islamic studies. Hasil penelitian menunjukkan bahwa 1) Seni Wayang Golek memiliki karakteristik unik, dimana bakat yang dibutuhkan cenderung melalui tradisi “warisan”, 2) Wayang Golek dapat menjadi jembatan internalisasi nilai-nilai religius dan humanis bagi masyarakat melalui cerita-cerita unik berbasis adat, 3) dilarangnya pagelaran Wayang Golek akibat pandemi Covid-19 membuat para dalang lebih kreatif untuk bertahan, seperti membuat video dan menunggahnya ke YouTube dan media sosial yang lain, dan 4) Kelestarian kesenian ini bergantung terhadap perhatian serius semua pihak baik dari pemerintah, pejabat daerah, maupun masyarakat.

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Section: Preventive Efforts In Preserving the Art Of Wayang Golek In ...mentioning

confidence: 99%

The Dynamics of Wayang Golek in Pandemic and Globalization: Traditional Art Sustainability

2021

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“…Collaboration is between media and appropriate communication in delivering material, especially media, especially related to visual communication design related to tools that carry messages between the communicator or publisher and the communicant or user community. To be able to evaluate the effectiveness of various communication media, several dimensions are needed (Prilosadoso et al, 2019;Nicholson-Cole, 2005;Vigoroso et al, 2020).…”

Section: Development Of Visual Communication Design As Media In Covid-19mentioning

confidence: 99%

“…The data analysis technique uses data collection stages, data reduction, data presentation, and concluding. For this research, the data validation process carried through technical triangulation, triangulation of data sources and theory triangulation to facilitate the process and analysis results to be more valid (Prilosadoso et al, 2019;Crilly et al, 2004;Ord et al, 2002).…”

Section: Introductionmentioning

confidence: 99%

Role of visual communication design as effective COVID-19 information and education media for community

Ilma

Hidayat

Setiono

et al. 2021

ijss

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Visual-based technology as a medium of contact and alternative solutions in pandemic conditions requires a design role, primarily visual communication design during the coronavirus outbreak. Visual communication design becomes an intermediary bridge for information, education, and recreation media to the community. Various aspects of the design become part of applied art, which has goals and benefits to overcome problems in society. The WHO on March 11, 2020, declared the COVID-19 as a pandemic that affects almost regions of the world, where nearly more than five million people are infected. The technology eliminates distance and is an essential part of the development of visual communication design. Research on technological developments in the field of visual communication design in the application of information and education media in the spread of this pandemic. The qualitative research methods states that this research method is used well in examining the details of the research subject. The natural condition of researchers without engineering, where the research process can describe the process from time to time; b). Inductive analysis, which contains exploration orientation, discovery, and inductive logic, so that theories and patterns are in reality; and c) Description of human behaviour in its natural context.

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“…This understanding is experienced in the present, where the products of the world of information technology are very dominant. The process of designing an illustration character animation 2dimensional will involve many ideas and ideas to determine the elements of the story, characters, settings, and backgrounds (Prilosadoso et al, 2019).…”

Section: Animation Media As a Character Design For Hanomanmentioning

confidence: 99%

Hanoman's 2D animated character in ramayana wayang story

Heriwati

Pujiono

Panindias

et al. 2020

ijssh

Self Cite

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Research in art creation is an effort to preserve traditional arts, especially wayang kulit in the form of character development of the Hanoman character in the Ramayana story through animated 2D media which aims to introduce traditional skills among the younger generation in Surakarta. This research method of art creation uses a qualitative descriptive approach through data sources, including Ramayana puppet shows, literature studies, and competent speakers in the field of puppetry and animation. The stages of analysis from various sources of results from information from both literature reviews and interviews were carried out using an interactive model, where each component of the research includes the stages of data collection, data reduction, presentation and conclusion drawing. Test the validity of the data using data triangulation techniques, namely triangulation of data sources and triangulation of theories. The locations of designing 2D animated Hanoman characters go through several processes, namely: the Envisioning Phase, the Planning Phase, the Design/Design Stage, the Stabilizing Phase, and the Deploying Phase. The Hanoman character in the Ramayana wayang story collaborates with 2D animation technology as an alternative to introducing wayang characters and educational media that are suitable for the younger generation segmentation.

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Wayang beber animation media as an effort for preserving wayang tradition based on information and technology

Cited by 9 publications

References 8 publications

The Dynamics of Wayang Golek in Pandemic and Globalization: Traditional Art Sustainability

The Dynamics of Wayang Golek in Pandemic and Globalization: Traditional Art Sustainability

Role of visual communication design as effective COVID-19 information and education media for community

Hanoman's 2D animated character in ramayana wayang story

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