"Wat is die mens wat U so ryk beskenk het?" Die uitbeelding van die geveg tussen Karnaval en Lent by Bruegel en T.T. Cloete

Abstract

Tale van die Noordwes-Universiteit, Potchefstroomkampus. Verskeie artikels en hoofstukke van haar het in geakkrediteerde vakpublikasies verskyn. Sy tree op as artikelkeurder vir nasionale en internasionale akademiese tydskrifte en as manuskripkeurder vir Suid-Afrikaanse en Nederlandse uitgewers. Sy het referate op nasionale en internasionale kongresse gelewer en tree op as spreker by openbare geleenthede. Sy is redakteur van Woord en Daad. Die afgelope jare het ʼn groot aantal resensies van haar in verskeie publikasies verskyn. Op Versindaba behartig sy ʼn blog oor die digkuns en dien sy op die permanente resensiepaneel. Sy is tans betrokke by navorsing oor sowel die toegepaste linguistiek as die literêre teorie. Marlies Taljard is a lecturer in the School of Languages at the NorthWest University (Potchefstroom Campus). She has published extensively nationally and internationally and presented papers at numerous conferences. She regularly writes book reviews for local and international newspapers and academic journals. Her solo blog on a prestigious SA poetry website is widely read. She serves on the editorial staff of several accredited and nonaccredited journals and acts as adjudicator for literary awards. Currently her research focusses on rhetoric and literary theory. Marlies Taljard ABSTRACT "What is man that Thou hast endowed him with such grace?": The representation of the battle between Carnival and Lent by Bruegel and T.T. Cloete The aim of this article is to compare certain similarities and differences in Peter Breugel the Elder's painting "The battle between Carnival and Lent" and T.T. Cloete's most recent volume of poetry, "Karnaval en Lent is een gedig" ("Carnival and Lent are one poem"). The central theme of the volume of poetry is based on the painting by Bruegel which was painted in 1559.

T.T. Cloete as literary critic, theoretician and historian (Part 1): Columns, anthologies and literary criticism

“…Uit sy verdere opmerkings lei ons reeds baie af van Cloete se siening van die literatuurgeskiedenis óók as 'n kreatiewe resepsiegeskiedenis van werke: 'Dit is [...] ook 'n manier waarop gedigte self [...] 'n literatuurgeskiedenis skryf, 'n geskiedenis wat baie moeiliker is om na te speur as wat die konvensionele literatuurgeskiedenis doen.' Hierdie siening dat 'n literatuurgeskiedenis dus ook (en dalk primêr) bestaan uit 'n geskiedenis van tekste word in die latere polemiek met Kannemeyer veel eksplisieter gestel Taljard 2015)…”