2016
DOI: 10.1093/ijtj/ijw014
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#WarCrimes #PostConflictJustice #Balkans: Youth, Performance Activism and the Politics of Memory

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Cited by 22 publications
(24 citation statements)
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“…Given our affiliation to a powerful university institution and our privileged position as members of a majority group, research participants judged us to be suitable spokespersons for their community, able to pass on their stories to native Belgian citizens in the host society. The political aims underpinning many participants’ memory practices, such as to challenge impunity in their home country and to restore justice, echo the macro sociopolitical context of ethnic persecution, social injustice, and authoritarian regimes (Brough, Schweitzer, Shakespeare-Finch, Vromans, & King, 2013; Kurze, 2016). Here, the sociopolitical dynamics at stake in participants’ accounts of memory intersect with the researcher’s sociopolitical research ethics (Vandekinderen, Roets, & Van Hove, 2014): Participants’ hope for the research to have a political effect and the transmission of their suffering in the research context may mobilize the researcher’s solidarity.…”
Section: Ethical Reflections On the Multilayered Dimensions Of Memorymentioning
confidence: 99%
“…Given our affiliation to a powerful university institution and our privileged position as members of a majority group, research participants judged us to be suitable spokespersons for their community, able to pass on their stories to native Belgian citizens in the host society. The political aims underpinning many participants’ memory practices, such as to challenge impunity in their home country and to restore justice, echo the macro sociopolitical context of ethnic persecution, social injustice, and authoritarian regimes (Brough, Schweitzer, Shakespeare-Finch, Vromans, & King, 2013; Kurze, 2016). Here, the sociopolitical dynamics at stake in participants’ accounts of memory intersect with the researcher’s sociopolitical research ethics (Vandekinderen, Roets, & Van Hove, 2014): Participants’ hope for the research to have a political effect and the transmission of their suffering in the research context may mobilize the researcher’s solidarity.…”
Section: Ethical Reflections On the Multilayered Dimensions Of Memorymentioning
confidence: 99%
“…Virtual spaces like social media make it possible to engage across territorial borders and create innovative ways for young activists to seek alternative forms of addressing these contentious issues. In his study on the role of youth activism in the post-conflict societies of the former Yugoslavia, Kurze (2016) describes innovative ways and performances of younger generations in which they deal with the violent past, going beyond competing victimhood and rival narratives, aiming to promote public engagement, and an inclusive reconciliation effort. An attempt at inclusive commemoration by civil society organizations, a public performance in the center of Pristina to honor the missing, was roundly criticized by various organizations and the victims' community in Kosovo for including names of Serbs in addition to Albanian victims (Kurze 2016, 14).…”
Section: Politics Of Remembrance and Arenas Of Articulationmentioning
confidence: 99%
“…
▪ The Bosnian War Crimes Atlas that provides an interactive map of locations of past war crimes, mass graves, and monuments in BiH provides knowledge, including from trials, in an accessible way that prevents manipulation of the past.▪ Research on My Story, which engages in multi-ethnic storytelling by victims, finds a subsequent decline in denial of the out-group's suffering that can also contribute to acknowledgement of crimes committed by the in-group (Oberpfalzerová et al, 2019).▪ Studies of an initiative in BiH that exposed youth to narratives of rescuers who crossed the ethnic divide (moral exemplars) finds that they increased participants' willingness to forgive the out-group's misdeeds and their belief in reconciliation (Čehajić-Clancy & Bilewicz, 2017).Art and culture ▪ Art can make archival and trial documents more accessible, such as Serbian artist Miladinović's ink washed drawings of evidence from ICTY trials (Kerr, 2020).▪ The Historical Museum of BiH, through its various exhibits, including on the theme of Reconciliations, has attracted new audiences and encouraged different forms of engagement with BiH's contested pastbecoming a key site of deliberation .▪ Performance art can become 'strategic confrontation spaces' that push for a reckoning with the past (Kurze, 2016). The Thinking of You installation in Kosovo (with 5,000 donated skirts and dresses hung from washing lines) attempted to confront the stigma surrounding sexual violence.
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mentioning
confidence: 99%
“…The Thinking of You installation in Kosovo (with 5,000 donated skirts and dresses hung from washing lines) attempted to confront the stigma surrounding sexual violence. It has contributed to a degree of recognition of wartime rape (Krasniqi et al, 2020).▪ Performance art can help to sustain collective memory, such as the wall in Prishtina, with the names of 1,819 ethnic Albanian and Serbian missing persons; and the painting of faded Sarajevo Roses (marks from mortar shells) to make them more visible (Kurze, 2016).▪ The Balkan Diskurs Youth Correspondent Programme (BDYCP) seeks to build the capacities of young artists to produce inclusive counter-narratives. Research finds that it strengthened participants' levels of trust in other ethnic groups, attitudes toward inter-ethnic collaboration and reconciliation, and resolve to work towards durable peace (Fairey and Kerr, 2020).▪ Most Mira, a Prijedor based theatre company, uses humour to discuss contentious topics and portray unifying aspects of life and identity.…”
mentioning
confidence: 99%
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