Von Solingen zum NSU

Rapping against Old and New Nazis: Bejarano and Microphone Mafia’s Multidirectional Musical Memory Work

“…119 Addressing the refugees, it draws attention to those whose lives are not only not considered worth protecting, but also not deemed worthy of being mourned and remembered. 120 Experiences of exclusion and discrimination are not only central themes in songs and performances. They are also key to the formation of a bond between the group members, as Rossi's reflections on his experiences with discrimination show: Whenever my father had to fill in forms at the bank, I accompanied him.…”