2005
DOI: 10.1016/j.jvoice.2004.07.002
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Vocal Projection in Actors: The Long-Term Average Spectral Features That Distinguish Comfortable Acting Voice From Voicing With Maximal Projection in Male Actors

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Cited by 35 publications
(42 citation statements)
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“…A number of studies have investigated a speakers formant or speakers ring in the voice of theatre actors or in the speaking voice of singers (Pinczower and Oates, 2005;Bele, 2006;Cleveland et al, 2001;Barrichelo et al, 2001;Nawka et al, 1997). Leino (1993) observed a spectrum enhancement in the voices of actors, but of smaller amplitude than the singing formant, and shifted about 1 kHz towards high frequencies.…”
Section: The Singers Formantmentioning
confidence: 99%
“…A number of studies have investigated a speakers formant or speakers ring in the voice of theatre actors or in the speaking voice of singers (Pinczower and Oates, 2005;Bele, 2006;Cleveland et al, 2001;Barrichelo et al, 2001;Nawka et al, 1997). Leino (1993) observed a spectrum enhancement in the voices of actors, but of smaller amplitude than the singing formant, and shifted about 1 kHz towards high frequencies.…”
Section: The Singers Formantmentioning
confidence: 99%
“…Thus, we can detect the importance of the harmonic use of vocal projection, articulation and breathing so that the text is understood by the public. The literature states that breathing should be practiced in a relaxed way, without unnecessary stiffness or muscle contraction (7,11,18) . Most participants mentioned that knowing and appropriating the character is imperative in theatrical performance and all participants reported that voice quality of the theatrical actor is important.…”
Section: Discussionmentioning
confidence: 99%
“…Among those with the professional use of voice, the theatrical actors receive little attention as their performance seems more focused on the art of acting. However, this issue should be studied because the voice is of great importance in the role of a character representation (11,12) . In addition, the priority in the work of vocal health should consider the welfare of the actor whenever possible, aiming to improve the quality of life of the actor and of the public (20) .…”
Section: Discussionmentioning
confidence: 99%
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“…The need for increasing volume, changing pitch, and extending the frequency range beyond the typical conversation indicates that actors require efficient vocal performance 2 . Actors, both in rehearsal and during the show, commonly face emotionally challenging behaviors, often producing This recording consisted of the emission of sustained vowels, of counting from 1 to 10, and of a report by the subject about his or her voice.…”
mentioning
confidence: 99%