The SAGE Handbook of Visual Research Methods 2011
DOI: 10.4135/9781446268278.n36
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Visual Research Ethics at the Crossroads1

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Cited by 78 publications
(85 citation statements)
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References 39 publications
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“…For existing data, secondary data, an important issue concerns whether the original study participants were aware of future uses of the data. It might be tempting to assume that research on 'normal classroom practice' could be collected, but researchers will need to take into account appropriate ethical measures (Wiles, Clark, and Prosser 2011). Another reason concerns the logistics of installing cameras, staffing and arranging resources.…”
Section: Conclusion and Discussionmentioning
confidence: 99%
“…For existing data, secondary data, an important issue concerns whether the original study participants were aware of future uses of the data. It might be tempting to assume that research on 'normal classroom practice' could be collected, but researchers will need to take into account appropriate ethical measures (Wiles, Clark, and Prosser 2011). Another reason concerns the logistics of installing cameras, staffing and arranging resources.…”
Section: Conclusion and Discussionmentioning
confidence: 99%
“…Banks (2007, 3-4) asserts the two good reasons for employing photographs in research: a) the ubiquity of images in society; and b) photographs 'reveal some sociological insight that is not accessible by any other means' (see also Rose 2014;Wiles et al 2011), possibly because visual methods 'provide access to thoughts, feelings and beliefs, which are difficult to express verbally' (Hryniewicz et al 2014, 32). Rose (2014, 28-29) adds that through reflection, visual research also helps participants to expose what is 'hidden' and to make explicit what is 'implicit'.…”
Section: Photographs In Visual Methods Researchmentioning
confidence: 99%
“…Nevertheless, we strongly agree that improving ethical awareness deserves further discussion specifically in 'grey areas', e.g. inability to seek consent, copyright ownership of images and researchers' rights to use and reproduce photographs, often informed by numerous factors (Clark 2013;Mitchell 2011;Rowe 2011;Tilley and Woodthorpe 2011;Wiles et al 2011). As Rowe (2011, 709) puts it '[t]he more the researcher and author know about rights and permissions, the better they can communicate and negotiate to insure that intended uses are accurately described, potential risks are moderated and the decisions made are as reasonable as possible'.…”
Section: The Studymentioning
confidence: 99%
“…However, the enthusiasm for the potential of photography has also led to neglect regarding the complex dynamics which shape each image. Some authors have indeed stressed a need for caution, particularly with reference to the possible influences that other people -including the absent-yet-3 present researcher -may exercise on young participants' choice of subject (Barker and Smith, 2012;Langevang, 2007;Kesby, 2007;Sime, 2008); to the dangers of analysing and interpreting visual data from an adult perspective (Cook and Hess, 2007;Luttrell, 2010;Barker and Smith, 2012); to the lack of a clear framework for the analysis and interpretation of photographs (Punch, 2002; Catalani and Minkler, 2012); and also to the ethical issues relating to anonymity and confidentiality that are specific to visual data (Crow and Wiles, 2008;Wiles, Clark and Prosser, 2011).…”
Section: Introductionmentioning
confidence: 99%
“…However, the enthusiasm for the potential of photography has also led to neglect regarding the complex dynamics which shape each image. Some authors have indeed stressed a need for caution, particularly with reference to the possible influences that other people -including the absent-yet-3 present researcher -may exercise on young participants' choice of subject (Barker and Smith, 2012;Langevang, 2007;Kesby, 2007;Sime, 2008); to the dangers of analysing and interpreting visual data from an adult perspective (Cook and Hess, 2007;Luttrell, 2010;Barker and Smith, 2012); to the lack of a clear framework for the analysis and interpretation of photographs (Punch, 2002; Catalani and Minkler, 2012); and also to the ethical issues relating to anonymity and confidentiality that are specific to visual data (Crow and Wiles, 2008;Wiles, Clark and Prosser, 2011).However, the discussion has, to the best of my knowledge, largely ignored a simple, yet important element: the act of taking photographs is one that can attract attention, and this simple circumstance may pose serious limitations to the range of places young people are willing to access, something which, in turn, has repercussions on the choice of subjects for children's photographs. Weariness, combined with the limited range of movement that younger children experience, can mean that the subjects young people portray may be the ones that are available within specific confines determined by reachability and comfort, rather than the ones that could best reflect their experiences or views.…”
mentioning
confidence: 99%