Abstract:BackgroundLectures supported by theatrical performance may enhance learning and be an attractive alternative to traditional lectures. This study describes our experience with using theatre in education for medical students since 2001.MethodsThe volunteer students, coached by experienced students, were given a two-week preparation period to write and prepare different dramatized headache scenarios during three supervised meetings. A theatrical performance was followed by a student presentation about history tak… Show more
“…Some programmes offer students a chance to reflect upon patient experiences from scripts made ‘in their own words’ 24. Medical students commonly use roleplay to experiment with their own communication styles, to give and receive feedback,25 26 and to enhance empathy and teamwork 27. Actors and students alike have been employed as simulated patients, to practice interviewing and physical examination skills 28–30.…”
A medical student's ability to present a case history is a critical skill that is difficult to teach. Case histories presented without theatrical engagement may fail to catch the attention of their intended recipients. More engaging presentations incorporate 'stage presence', eye contact, vocal inflection, interesting detail and succinct, well organised performances. They convey stories effectively without wasting time. To address the didactic challenge for instructing future doctors in how to 'act', the Mayo Medical School and The Mayo Clinic Center for Humanities in Medicine partnered with the Guthrie Theater to pilot the programme 'Telling the Patient's Story'. Guthrie teaching artists taught storytelling skills to medical students through improvisation, writing, movement and acting exercises. Mayo Clinic doctors participated and provided students with feedback on presentations and stories from their own experiences in patient care. The course's primary objective was to build students' confidence and expertise in storytelling. These skills were then applied to presenting cases and communicating with patients in a fresher, more engaging way. This paper outlines the instructional activities as aligned with course objectives. Progress was tracked by comparing pre-course and post-course surveys from the seven participating students. All agreed that the theatrical techniques were effective teaching methods. Moreover, this project can serve as an innovative model for how arts and humanities professionals can be incorporated for teaching and professional development initiatives at all levels of medical education.
“…Some programmes offer students a chance to reflect upon patient experiences from scripts made ‘in their own words’ 24. Medical students commonly use roleplay to experiment with their own communication styles, to give and receive feedback,25 26 and to enhance empathy and teamwork 27. Actors and students alike have been employed as simulated patients, to practice interviewing and physical examination skills 28–30.…”
A medical student's ability to present a case history is a critical skill that is difficult to teach. Case histories presented without theatrical engagement may fail to catch the attention of their intended recipients. More engaging presentations incorporate 'stage presence', eye contact, vocal inflection, interesting detail and succinct, well organised performances. They convey stories effectively without wasting time. To address the didactic challenge for instructing future doctors in how to 'act', the Mayo Medical School and The Mayo Clinic Center for Humanities in Medicine partnered with the Guthrie Theater to pilot the programme 'Telling the Patient's Story'. Guthrie teaching artists taught storytelling skills to medical students through improvisation, writing, movement and acting exercises. Mayo Clinic doctors participated and provided students with feedback on presentations and stories from their own experiences in patient care. The course's primary objective was to build students' confidence and expertise in storytelling. These skills were then applied to presenting cases and communicating with patients in a fresher, more engaging way. This paper outlines the instructional activities as aligned with course objectives. Progress was tracked by comparing pre-course and post-course surveys from the seven participating students. All agreed that the theatrical techniques were effective teaching methods. Moreover, this project can serve as an innovative model for how arts and humanities professionals can be incorporated for teaching and professional development initiatives at all levels of medical education.
“…Tratase de proposta educacional construtivista, que tem o aluno como agente no processo de ensino-aprendizagem, estimulando a curiosidade, a criatividade, o pensamento crítico e os diferentes estilos de aprendizagem dos alunos [11].…”
Section: Os Conceitos De Gene E Dna Por Alunos Ingressantes Na Unifalunclassified
ResumoA compreensão de conceitos de Biologia Molecular é importante para permitir o entendimento de processos biológicos, bem como para estabelecer correlações e inter-relações entre os diferentes processos celulares e a interação com o ambiente. O objetivo deste trabalho foi avaliar o conhecimento dos conceitos de gene e DNA por alunos ingressantes da Universidade Federal de Alfenas-MG (UNIFAL-MG), bem como avaliar a efetividade da dramatização como estratégia inovadora de ensino. A proposta foi avaliada pela determinação do ganho de conhecimento e do desempenho escolar. Os resultados demonstraram que os alunos ingressantes na UNIFAL-MG apresentam deficiência nos conceitos de gene e composição e estrutura do DNA, provavelmente, decorrentes de falhas no processo de ensino-aprendizagem prévios ao ingresso na universidade. A dramatização apresentou-se como estratégia eficiente para induzir ganho de conhecimento e melhora do desempenho escolar de turmas com bom nível de conhecimento inicial. Palavras-chave: Biologia Molecular, ganho de conhecimento, desempenho escolar.
AbstractThe Molecular Biology concepts comprehension is important for understanding several Biological processes as well as to establish correlations and interrelations among cell processes and its interaction with the environment. The aim of this work was to evaluate the undergraduate students from the Universidade Federal de Alfenas-MG (UNIFAL-MG) knowledge about gene and DNA concepts as well as to evaluate the effectiveness of drama as an innovative teaching strategy. This strategy was evaluated by the studentsk nowledge gain and scholar performance. The results showed the UNIFAL-MG beginners' students presented defective concepts about gene and DNA composition and structure, probably due to deficient teaching-learning process before the University entrance. Drama was an efficient strategy to induce learning gain and to improve scholar performance of classes with a good initial level of knowledge.
“…[3][4][5][6] Mar ma ra Üni ver si te si Tıp Fa kül te sin de 2000-2001 eği tim-öğ re tim yı lın dan iti ba ren, te mel he kim lik be ce ri le ri nin kli nik ön ce si yıl lar da edi nil me si ni sağ la mak ama cıy la "Kli nik Uy gu la ma ya Gi riş (KUG)" ad lı prog ram ilk üç sı nıf ta uy gu la ma ya koyul muş tur. 7 Ta kip eden yıl lar da KUG prog ra mı geliş ti ril miş ve ben ze ri prog ram lar di ğer tıp fa kül te le rin de de uy gu lan ma ya baş lan mış tır. 8 Ül-ke miz de in tern ler üze rin de ya pı lan bir araş tır ma da öğ ren ci le rin %92'si nin ken di ni ile ti şim ve kli nik be ce ri ler açı sın dan ye ter siz his set ti ği bil di ril di ğin -den, 9 KUG ve ben ze ri prog ram lar öğ ren ci le rin beklen ti ve ih ti yaç la rı nı da kar şı la ma an la mın da bir araç ola bi lir.…”
Section: Marmara üNiversitesi Dördüncü Sınıf Tıp öğRencilerinin Tıbbiunclassified
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