“…Nevertheless, these graphic novels are exemplary illustrations of transition, told with beloved and empowering characters in a visual language that "fits students' sensibilities at a deep level" (Tabachnik, 2009, p. 3). One transition we wish to disrupt and discard is the idea that comics should serve as a springboard to traditional prose reading for "reluctant" or "resistant" readers (Boerman-Cornell & Kim, 2020). This attitude condemns comics to being lower on some imaginary literary hierarchy.…”
Section: Discussionmentioning
confidence: 99%
“…One transition we wish to disrupt and discard is the idea that comics should serve as a springboard to traditional prose reading for “reluctant” or “resistant” readers (Boerman‐Cornell & Kim, 2020). This attitude condemns comics to being lower on some imaginary literary hierarchy.…”
His research explores how children and youth critically theorize race, gender, power, and identity through the comics medium and other multimodal text; email
“…Nevertheless, these graphic novels are exemplary illustrations of transition, told with beloved and empowering characters in a visual language that "fits students' sensibilities at a deep level" (Tabachnik, 2009, p. 3). One transition we wish to disrupt and discard is the idea that comics should serve as a springboard to traditional prose reading for "reluctant" or "resistant" readers (Boerman-Cornell & Kim, 2020). This attitude condemns comics to being lower on some imaginary literary hierarchy.…”
Section: Discussionmentioning
confidence: 99%
“…One transition we wish to disrupt and discard is the idea that comics should serve as a springboard to traditional prose reading for “reluctant” or “resistant” readers (Boerman‐Cornell & Kim, 2020). This attitude condemns comics to being lower on some imaginary literary hierarchy.…”
His research explores how children and youth critically theorize race, gender, power, and identity through the comics medium and other multimodal text; email
“…This article brings together two seemingly divergent areas of my work: 1) my forthcoming book with Dr. Betina Hsieh (Kim and Hsieh, in press), on the experiences of Asian American teachers in the classroom and 2) my previous books on teaching with graphic novels (Boerman-Cornell & Kim, 2020;Boerman-Cornell et al, 2017). In this article I argue for the incorporation of Asian American graphic novels into social studies classrooms to address the erasure and marginalization of Asian Americans in the curriculum and bring their stories, struggles, and contributions into classrooms.…”
While the #StopAsianHate movement is new, Asian Americans have long been excluded and marginalized in and out of the classroom. This article argues for the need and importance of Asian Americans in school curriculum. One powerful way of including more Asian American voices and history is through the teaching of Asian American graphic novels.
“…Algunas novelas gráficas incorporan fuentes primarias como por ejemplo, mapas, artículos de periódicos, fotos o cartas. Estas fuentes forman parte esencial de la historia y es por ello por lo que el alumnado en su lectura debe identificar esas fuentes para poder comprender todo el texto 31 . En segundo lugar, contextualizar significa ubicar en el tiempo y en el espacio la historia contada en el cómic.…”
El presente artículo ofrece una propuesta de intervención para la enseñanza de la Guerra Civil en el País Vasco a través del cómic para alumnos de segundo de Bachillerato en el aula de historia. Se diseña una propuesta didáctica de mejora para la enseñanza de la Guerra Civil en el País Vasco para la asignatura de Historia de España. Se propone utilizar el cómic Asylum (2015) de Javier de Isusi como medio para ayudar a los alumnos a construir las capacidades de identificar, contextualizar y corroborar.
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