2011
DOI: 10.1016/j.jbusres.2010.09.012
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Understanding preferences for motion pictures

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Cited by 54 publications
(52 citation statements)
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“…This dimension, which has the highest standard deviation, differentiates movies on the basis of whether they are more suitable for families (e.g., Rugrats Go Wild, Center Stage, The Adventures of Rocky & Bullwinkle) or adults (e.g., Chicago, Traffic, Gangs of New York). It is encouraging to note that Peress and Spirling (2010) also identify a latent dimension that separated adult-oriented films from more family-friendly movies, as do Gazley et al (2011) in a study factor analyzing stated preferences for predetermined genres (not individual movies). With respect to the ideal point locations, counties won by George Bush tend to have a stronger preference for family-oriented movies.…”
Section: Perceived Attributesmentioning
confidence: 93%
“…This dimension, which has the highest standard deviation, differentiates movies on the basis of whether they are more suitable for families (e.g., Rugrats Go Wild, Center Stage, The Adventures of Rocky & Bullwinkle) or adults (e.g., Chicago, Traffic, Gangs of New York). It is encouraging to note that Peress and Spirling (2010) also identify a latent dimension that separated adult-oriented films from more family-friendly movies, as do Gazley et al (2011) in a study factor analyzing stated preferences for predetermined genres (not individual movies). With respect to the ideal point locations, counties won by George Bush tend to have a stronger preference for family-oriented movies.…”
Section: Perceived Attributesmentioning
confidence: 93%
“…Experiential superstitious consumption-grounded in involvement, excitement, communal connection, and social bonding-promotes planning, enjoying, and recalling experiences. Although consumers' attitudinal responses in experiential consumption settings are important to marketers (Chronis, 2005;Gazley, Clark, and Sinha, 2011), knowledge about such responses is incomplete (Wikström, 2008).…”
Section: Theoretical Background Experiential Consumptionmentioning
confidence: 99%
“…Actually, no matter what level or what point of view is the gap between the Chinese and US movies, the most fundamental gap is the gap to create attractive ability of movie. Evidence reveals that, no matter the movie from what kind of industry system or ideology, regardless of their educational function, core values, hero characterization, what they eventually present to the audience is one kind of comprehensive attractions, and it is just this attraction, fundamentally determines the box office, the recognition and dissemination range [7] [8] [9]. As such, aiming for more insightful findings, we attempt to use an analytical model [10] established by adopting "movie attraction", a concept that blurs the borderline among economics, communication and management, to analyze the gaps between Chinese and US movies from the perspective of the audience.…”
Section: Introductionmentioning
confidence: 99%