Uma possibilidade de pesquisa em História da Arte em um museu: a experiência da exposição “Almeida Júnior: um criador de imaginários” na Pinacoteca do Estado de São Paulo

Nascimento, Ana Paula

doi:10.20396/eha.3.2007.3733

Atas Do ... 2007

DOI: 10.20396/eha.3.2007.3733

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Uma possibilidade de pesquisa em História da Arte em um museu: a experiência da exposição “Almeida Júnior: um criador de imaginários” na Pinacoteca do Estado de São Paulo

Ana Paula Nascimento

Abstract: Texto apresentado no III Encontro de História da Arte.

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2020

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Cited by 7 publications

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A universidade do saber encontrado em bibliotecas

Blattmann

Fragoso

2006

RDBCI rev. dig. Bibliotecon. e Ci. Info.

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Reflexão crítica sobre bibliotecas como templo dos saberes, suas facetas e mudanças. Debate sobre políticas de acesso de acervos públicos e privados. Importância de bibliotecas para atender o ser humano em suas dimensões sociais, educacionais, culturais, econômicas. Abstract A critical reflection about libraries as knowledge temple, its facets and changes. Debates some political aspects of public and private access to libraries’ collections. Importance of libraries to take care of the human being in its social, educational, cultural and economic dimensions.

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A universidade do saber encontrado em bibliotecas

Blattmann

Fragoso

2006

RDBCI rev. dig. Bibliotecon. e Ci. Info.

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L’art et l’environnement : les ressources en eau du Brésil du point de vue NAIF

Oliveira¹,

Wacholz²

2020

Revista Científica Multidisciplinar Núcleo do Conhecimento

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Le Brésil est un pays privilégié en termes de quantité d’eau disponible sur son territoire. La façon dont l’eau est représentée dans les peintures met en lumière la perception que l’artiste a de cette ressource naturelle. L’objectif de ce travail était de souligner l’importance des ressources en eau du Brésil et de promouvoir l’art naïf. En ce qui concerne les démarches méthodologiques, une recherche documentaire a été réalisée, basée sur les catalogues des expositions : Bienal Naifs do Brasil au SESC de Piracicaba/SP (1996 à 2018) ; Biennale Internationale d’Art Naif Totem Cor-Ação – BINAIF de Socorro/SP (2017 et 2019); et l’Exposition nationale d’art naïf de l’État de São Paulo (2019). L’étude était descriptive, avec une analyse qualitative des peintures et de leurs relations avec les ressources en eau, à leur tour, les ressources en eau peintes dans les œuvres étaient présentées de manière technique. Quinze œuvres ont été sélectionnées pour leur pertinence par rapport au thème. L’ensemble des peintures analysées comprend les multiples usages de l’eau, en plus des aspects géographiques, historiques, culturels et des différents biomes des bassins hydrographiques. Des problèmes tels que les inondations, la rareté et la pollution des ressources en eau ont également été observés. La recherche a fait un voyage à travers le Brésil, du nord au sud, traitant à la fois des eaux continentales et des eaux océaniques qui baignent la côte du pays. Au vu de cela, il est conclu que l’eau est une ressource naturelle indispensable, sa valorisation à travers l’art naïf favorise également sa préservation et contribue ainsi à la gestion des ressources en eau.

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Art and the Environment: Brazilian water resources from the NAIF perspective

Oliveira¹,

Wacholz²

2020

Revista Científica Multidisciplinar Núcleo do Conhecimento

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Brazil is a privileged country in terms of the amount of water available in its territory. The way water is represented in the paintings highlights the artist’s perception of this natural resource. The objective of this work was to emphasize the importance of Brazilian water resources and to promote naive art. Regarding the methodological procedures, a documentary research was carried out, based on the catalogs of the exhibitions: Bienal Naifs do Brasil at SESC in Piracicaba/SP (1996 to 2018); International Biennial of Naif Art Totem Cor-Ação – BINAIF de Socorro/SP (2017 and 2019); and the National Exhibition of Naive Art in the State of São Paulo (2019). The study was descriptive, with a qualitative analysis of the paintings and their relationships with water resources, in turn, the water resources painted in the works were presented in a technical way. Fifteen works were selected for their relevance to the theme. The set of paintings analyzed includes the multiple uses of water, in addition to geographic, historical, cultural aspects and different biomes of the hydrographic basins. Problems such as flooding, scarcity and pollution of water resources were also observed. The research made a trip through Brazil, from north to south, dealing with both continental waters and oceanic waters that bathe the coast of the country. In view of this, it is concluded that water is an indispensable natural resource, valuing it through naive art also encourages its preservation and thus contributes to the management of water resources.

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Uma possibilidade de pesquisa em História da Arte em um museu: a experiência da exposição “Almeida Júnior: um criador de imaginários” na Pinacoteca do Estado de São Paulo

Abstract: Texto apresentado no III Encontro de História da Arte.

Cited by 7 publications

References 1 publication

A universidade do saber encontrado em bibliotecas

A universidade do saber encontrado em bibliotecas

L’art et l’environnement : les ressources en eau du Brésil du point de vue NAIF

Art and the Environment: Brazilian water resources from the NAIF perspective

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