2007
DOI: 10.1117/1.2789643
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Two-component white color synthesis using diffractive structures

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(3 citation statements)
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“…Better results might be obtained by carefully selecting the illumination source as described in 12 . By mixing particular colour channels and tuning their intensities, even white light can be obtained 33 , 49 . It should be noted, that the colour purity is directly related to the observation distance and aperture size (which in our case was 60 cm and 72 mm respectively), as the further the observer’s position, the smaller the range of the wavelengths that get through an aperture, resulting in narrower diffraction intensity peaks, i.e.…”
Section: Discussionmentioning
confidence: 99%
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“…Better results might be obtained by carefully selecting the illumination source as described in 12 . By mixing particular colour channels and tuning their intensities, even white light can be obtained 33 , 49 . It should be noted, that the colour purity is directly related to the observation distance and aperture size (which in our case was 60 cm and 72 mm respectively), as the further the observer’s position, the smaller the range of the wavelengths that get through an aperture, resulting in narrower diffraction intensity peaks, i.e.…”
Section: Discussionmentioning
confidence: 99%
“…It is assumed that the observer is looking at the hologram at a normal angle and the light is illuminating the hologram at 30° and 45° angles of incidence. The selected range of angles used to describe colours was also reported in 12 , 32 , 49 and represents typical illumination conditions in real life applications. The range of typical pitches—that in the case of classical grating configuration reconstruct visible colours—usually spans 940–1254 nm for the angle of incidence of 30° 12 and 667–944 nm for 41–45° 32 , 49 .…”
Section: Discussionmentioning
confidence: 99%
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