Translating Brodsky

Weissbort, Daniel

doi:10.1007/978-1-349-10089-7_18

Cited by 2 publications

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“…Поэтикалық аударманың күрделілігі қай заманда да даусыз еді. Б. Раффэль өлең аудармасын өнер (поэзия аудармашысы ақын болуы керек және өлеңді қара сөзбен аударуға болмайды) десе [1,23], Д. Вайссборт поэтикалық аударманы «қос лабиринт» [2,10], ал П. Робинсон тіптен мүмкін емес өнер (art of impossible) [3,9] Әдістеме және зерттеу әдістері. Э. Умберто (2023) [7], Х. Тисгам (2014) [8], З. Джафари және А. Каримниа (2015) [9] сияқты аударма теоретиктері мен практиктерінің көпшілігі бастапқы мәтін мен мақсатты мәтін арасындағы мәдени және тілдік айырмашылықтарға байланысты поэзияны аудару мүмкін емес деген пікірмен бөліседі.…”

Section: түйін сөздерunclassified

Linguopoeics of M. Zhumabayev’s Poem “To Madame Gulsim” and Its Reflection in Translation

Alpysbayeva,

Ashymkhanova,

Abdimanapova

2024

Bul. of the Euras. Hum. Inst., Phil. Ser.

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The article examines the features of the translation of linguapoetics elements into Russian and English in Magzhan Zhumabaev’s poem “To Madam Gulsim”. Poetic translation is the highest peak of literary translation. Deep, subtextual thoughts are brought into a certain rhythmic form by various artistic and figurative means, and when every word becomes important, the burden placed on the translator becomes heavier. Translation into other languagesof the poetry of Magzhan, a master of the poetic word, is only now being studied. Therefore, we aim to identify successful moments of translation and emerging gaps, comparing artistic and visual means that meet the aesthetic effect in the original and translated text from a lexical-semantic and structural point of view. Also, in the original/translation pair, external parameters and structure are analyzed that give the poem a certain melody and rhythm at the level of syllables, stanzas and rhymes. The results of the study determine the quality of translations of the poet’s po- etry and further contribute to enriching the experience of translation into foreign languages. It is determined which poetry translation strategy (According to J. Holmes and A. Lefever) corresponds to three versions of the translation in Russian and the English translation, and the extent to which it influenced the original content and idea, the artistic form, is interpreted. Currently, only twenty of the poet’s poems have been translated into English. Since Russian serves as an intermediate language for many translations, Russian translations require special analysis.

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Section: түйін сөздерunclassified

Linguopoeics of M. Zhumabayev’s Poem “To Madame Gulsim” and Its Reflection in Translation

Alpysbayeva,

Ashymkhanova,

Abdimanapova

2024

Bul. of the Euras. Hum. Inst., Phil. Ser.

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“…Scholars interested in the translation of poetry (for example, Lefevere, 1975;Bly, 1982;Khalifa, 2015;Mahasneh, 2016;Ghazala, 2019) believe that poetry can be translated into other languages as either poetry or prose. However, some scholars (for example, Weissbort, 1989;Khulusi, 2000; Al-Masri, 2010; Robinson, 2010;Reynolds, 2011;Jones, 2011;Khalifa, 2015) hold the view that there are some unavoidable losses sustained in the translation of poetry in terms of form, sound, imagery, prosody and aesthetic impact on audiences and/or readers. The researcher believes that the rules of poetry writing or composition differ from language to language which inevitably results in features or aspects present in one language and culture but absent in another language and culture.…”

Section: Introductionmentioning

confidence: 99%

Contrastive Analysis of Two English Translations of an Old Arabic Poem

JABAK¹

2023

JTLS

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The present study aimed to provide a contrastive analysis of two English translations of the famous Arabic poem known in English as “Let days do what they will” by Mohammad ibn Idris al-Shafi’i. The two English translations were produced by two different translation scholars in the language pair Arabic and English. The analysis focused on how the translators dealt with the most important features of poetry when translating the Arabic poem into English. Such features included form, meaning, sound and imagery. The findings revealed some similarities and differences in both translations with reference to the above-mentioned features. It is recommended that more research be conducted on either Arabic-English translation of poetry or English-Arabic translation of poetry as this kind of research seems to be relatively scarce.

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Translating Brodsky

Cited by 2 publications

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Linguopoeics of M. Zhumabayev’s Poem “To Madame Gulsim” and Its Reflection in Translation

Linguopoeics of M. Zhumabayev’s Poem “To Madame Gulsim” and Its Reflection in Translation

Contrastive Analysis of Two English Translations of an Old Arabic Poem

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