2018
DOI: 10.1080/17430437.2017.1409728
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‘Tracksuit’ or ‘business suit’? Effects of the clothing styles of French professional football managers

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Cited by 5 publications
(9 citation statements)
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“…This supports the view of Anagnostopoulos et al (2016), who suggested that passion among those working in team sports is part of their identity. Visual expression (clothing) reflects various roles (manager, coach), and analysis of the images supports the findings of Br ehon et al (2018) and their categorisation of football managers. AW's professional approach to the game is reflected in the clothing (a suit), which is described by Br ehon et al (2018) as a style known as "the boss".…”
Section: Discussionsupporting
confidence: 57%
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“…This supports the view of Anagnostopoulos et al (2016), who suggested that passion among those working in team sports is part of their identity. Visual expression (clothing) reflects various roles (manager, coach), and analysis of the images supports the findings of Br ehon et al (2018) and their categorisation of football managers. AW's professional approach to the game is reflected in the clothing (a suit), which is described by Br ehon et al (2018) as a style known as "the boss".…”
Section: Discussionsupporting
confidence: 57%
“…Performance also impacts the brand associations of stakeholders (Andreini et al, 2020), the attraction and loyalty of fans (local and distant) (Bauer et al, 2008;Bodet et al, 2020) and sponsorship arrangements (Koenigstorfer et al, 2010). The owners' impact on the decision to support or dismiss managers is identified in previous research (Br ehon et al, 2018;Herskedal, 2017;Rohde and Breuer, 2017) and acknowledged by AW.…”
Section: Discussionmentioning
confidence: 93%
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“…Of the research that does consider how founders use garments in their entrepreneurial self‐fashioning, recent studies have looked at the role of dress (and other nonverbal devices) in entrepreneurial performances to increase venture legitimacy (Clarke, 2011), and how dress functions in the formation of “ethical subjectivity” (Poldner et al., 2018). In addition, there is a growing literature concerned with the dress practices of different professions, such as teaching (Weber and Mitchell, 1995), social work (Scholar, 2013), academia (Lipton, 2020; Moore & Williams, 2014; Thompson, 2020), football management (Bréhon et al., 2018), and the creative industries (Armstrong & McDowell, 2018). There is also an advancing scholarship attuned to “aesthetic labor” (Witz et al., 2003) and the politics of beauty and appearance under neoliberalism (Elias et al., 2017), as well as to the “aesthetics of post‐Fordist labor,” particularly in relation to dress (Van den Berg & Arts, 2019).…”
Section: Introduction: “Dressing Like a Founder”mentioning
confidence: 99%