2015
DOI: 10.1080/1369801x.2014.998262
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Towards a Spatial Practice of the Postcolonial City

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Cited by 13 publications
(7 citation statements)
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References 7 publications
(2 reference statements)
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“…Within the unique conditions of contestation and conflict that post-colonialist spaces characterise, wherein meaning and identity interact and cross over each other, the corporeal experience is also a polyrhythmic one [50]. Donnelly asserts the entrenchment of bounded domination within the polyrhythms of the postcolonial and identifies cultural museums as sites where this relationship is purported to be managed but is also made visible [51]. "Heterogenous sites of spatial production" capture the instances where multiple modes of cultural production inhabit the same site, as is often the case in postcolonial contexts [51] (p. 800), suggesting, perhaps, it is not the prescription of/for place that matters but the facilitation of its capacity to be lived and experienced through bodily emplacement.…”
Section: Flows and Polyrhythmicmentioning
confidence: 99%
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“…Within the unique conditions of contestation and conflict that post-colonialist spaces characterise, wherein meaning and identity interact and cross over each other, the corporeal experience is also a polyrhythmic one [50]. Donnelly asserts the entrenchment of bounded domination within the polyrhythms of the postcolonial and identifies cultural museums as sites where this relationship is purported to be managed but is also made visible [51]. "Heterogenous sites of spatial production" capture the instances where multiple modes of cultural production inhabit the same site, as is often the case in postcolonial contexts [51] (p. 800), suggesting, perhaps, it is not the prescription of/for place that matters but the facilitation of its capacity to be lived and experienced through bodily emplacement.…”
Section: Flows and Polyrhythmicmentioning
confidence: 99%
“…Brown [64] does not consider it "surprising that urban Māori looked once again to the whare whakairo (carved meeting house) as an architecture that could represent unity, self-determination and cultural identity" (p. 114). Although it was never lost, it could be argued that extreme marginalisation ignited a principal function in thirdspaces to the sovereign claims of Aotearoa's Indigenous people [51]. To this point, Brown [64] asserts that the wharenui (meeting house) has been "re-contextualised for the contemporary period to meet the aspirations of communities and institutions as well as to confront the challenges of social inequity and physical displacement" precisely due to its "accommodation and embodiment of cultural practices" (p. 115).…”
Section: Indigenous Sovereigntymentioning
confidence: 99%
“…Scholarships of McClintok (2018), Colombijn and Barwegen (2009), and Njoh (2008) investigate the colonial roots of the racialization of space based on social segregation concept. Other scholars, such as Aschroft (2017) and Beswick, et al (2015), are more prefer to highlight the notion of the post-colonial city for exploring the extension colonialism in modern life.…”
Section: Introductionmentioning
confidence: 99%
“…More than any cultural expression (with the exception of cinema), literature is unrivalled in rendering the city as a heterotopic space with multiple viewpoints (Beswick et al, 2015: 792). In that spirit, this article seeks to understand Chennai through narratives, which we believe is a productive way of imagining and experiencing its multivocality and open-endedness.…”
Section: Introductionmentioning
confidence: 99%