1985
DOI: 10.1080/10509208509361265
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Toward a scientific film history?

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Cited by 12 publications
(10 citation statements)
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“…A "narrative mode" is, in Bordwell's words, a canonically defined collection of rules of "narrational formation and comprehension," one that cuts across genres, particular authors, and aesthetic movements to create a unified group of practices. Bordwell and Thompson (1985) identifies specific cinematic modes, such as classic Hollywood, art cinema, and historical materialism, each of which employs a unique storytelling technique while drawing from and referencing earlier forms. Although there is no doubt that cinema influences many aspects of television, particularly in terms of visual style, it is inadvisable to map a model of storytelling tied to self-contained feature films onto the ongoing long-form narrative structure of series television, where ongoing continuity and seriality are key features.…”
Section: The Poetics Of Contemporary Television Storytellingmentioning
confidence: 99%
“…A "narrative mode" is, in Bordwell's words, a canonically defined collection of rules of "narrational formation and comprehension," one that cuts across genres, particular authors, and aesthetic movements to create a unified group of practices. Bordwell and Thompson (1985) identifies specific cinematic modes, such as classic Hollywood, art cinema, and historical materialism, each of which employs a unique storytelling technique while drawing from and referencing earlier forms. Although there is no doubt that cinema influences many aspects of television, particularly in terms of visual style, it is inadvisable to map a model of storytelling tied to self-contained feature films onto the ongoing long-form narrative structure of series television, where ongoing continuity and seriality are key features.…”
Section: The Poetics Of Contemporary Television Storytellingmentioning
confidence: 99%
“…7 While widely known by now and influential in film studies, the rigour of Salt's method was hotly debated in the 1970s and 1980s. Film scholars like Kristin Thompson and David Bordwell pointed to several inconsistencies, such as the circumstance that Salt initially calculated ASLs using 30-minute samples, which he regarded as representative, and not entire films (Bordwell & Thompson 1985). This, they argued, led Salt to provide inaccurate data himself.…”
Section: Statistical Style Analysis and Representation Of Filmic Strumentioning
confidence: 99%
“…While widely known by now and influential in film studies, the rigour of Salt's method was hotly debated in the 1970s and 1980s. Film scholars like Kristin Thompson and David Bordwell pointed to several inconsistencies, such as the circumstance that Salt initially calculated ASLs using 30-minute samples, which he regarded as representative, and not entire films (Bordwell & Thompson 1985). This, they argued, led Salt to provide inaccurate data himself.…”
Section: Statistical Style Analysis and Representation Of Filmic Strumentioning
confidence: 99%