2008
DOI: 10.1109/tce.2008.4560177
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Tone-mapping functions and multiple-exposure techniques for high dynamic-range images

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Cited by 24 publications
(8 citation statements)
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“…This image belongs to a class of a so-called High-Dynamic Range (HDR) images [11], since it has a very high global contrast ratio (87,962:1). For a correct rendering, it requires a global tone mapping [1], [4] in addition to the local contrast enhancement [5]- [8], [11]- [17]. In this particular case, the required level of global tone mapping is extremely high, We can observe that all metrics provide high level of details in the texture regions, increase depth of field and prevent disturbing "halo" artifacts.…”
Section: Resultsmentioning
confidence: 99%
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“…This image belongs to a class of a so-called High-Dynamic Range (HDR) images [11], since it has a very high global contrast ratio (87,962:1). For a correct rendering, it requires a global tone mapping [1], [4] in addition to the local contrast enhancement [5]- [8], [11]- [17]. In this particular case, the required level of global tone mapping is extremely high, We can observe that all metrics provide high level of details in the texture regions, increase depth of field and prevent disturbing "halo" artifacts.…”
Section: Resultsmentioning
confidence: 99%
“…Function f is non-linear and can have any form that combines previously mentioned parameters in a beneficial manner. For example, we have already discussed a way to improve the noise performance of our algorithm [4] by limiting the original contrast gain by introducing the Maximum gain limit and a linear response of a gain function to the LD, G ∝ 1/LD, (see Fig. 1(b)).…”
Section: A New Proposal For the Non-linear Gain Functions G Kmentioning
confidence: 99%
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“…In the case of a 50-inch 3DTV used in a previous study [10], the intensity difference of the Blue-channel between reproduction modes was less than 50% those of the Greenchannel, and since the blue does not dominate at lower intensities, tone-mapping operators (TMO) are generated for the Red and Green-channels with (1). 2 3 ( )…”
Section: A Legacy Tone-mapping Operatormentioning
confidence: 99%
“…Dynamic range (DR) of conventional display devices is on the order of 100 to 1 whereas that of real scene is larger than 10,000 to 1 [1], [2]. Digital still and video cameras have the capability to acquire the DR larger than 100 to 1 to satisfy acceptable quality, with less noise interference and natural contrast representation [2]- [4]. Moreover, to obtain a perceptually high-quality image, consumer digital cameras need to capture real scene as human eyes do.…”
Section: Introductionmentioning
confidence: 99%