2009
DOI: 10.1017/s001041750999034x
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“There Is a Spirit in that Image”: Mass-Produced Jesus Pictures and Protestant-Pentecostal Animation in Ghana

Abstract: In southern Ghana, where I have been conducting research on the genesis of popular Christianity for almost twenty years, Christian imagery is everywhere. The Ghanaian state re-adopted a democratic constitution in 1992, and this was followed by a liberalization and commercialization of mass media, which in turn facilitated the spread of Pentecostalism in the public sphere (see De Witte 2008; Gifford 2004; Meyer 2004a). Within this process, Christian pictures have become ubiquitous. Pentecostal-charismatic churc… Show more

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Cited by 65 publications
(24 citation statements)
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“…Mediation here is closer to the idea of a conduit, or a means of transport of divine agency (cf. Abreu 2009;Meyer 2010); in this sense, mediamediation comes close to McLuhan's (1967) notion of a prosthetic extension of the human sensorium. Finally, normativity is evoked quite explicitly in Meyer's definition of mediatic "sensational forms" as "authorized modes for invoking and organizing access to the transcendental that shape both religious content (beliefs, doctrines, sets of symbols) and norms" (Meyer 2011: 751).…”
Section: Conclusion: Pentecostal Circulation Beyond Mediationmentioning
confidence: 58%
“…Mediation here is closer to the idea of a conduit, or a means of transport of divine agency (cf. Abreu 2009;Meyer 2010); in this sense, mediamediation comes close to McLuhan's (1967) notion of a prosthetic extension of the human sensorium. Finally, normativity is evoked quite explicitly in Meyer's definition of mediatic "sensational forms" as "authorized modes for invoking and organizing access to the transcendental that shape both religious content (beliefs, doctrines, sets of symbols) and norms" (Meyer 2011: 751).…”
Section: Conclusion: Pentecostal Circulation Beyond Mediationmentioning
confidence: 58%
“…Recent scholarship on religion and media reinforces this point. This research describes debates within various Muslim and Christian communities about the uses of new audiovisual technologies, demonstrating that disputes center not on instrumentality or efficiency per se but on the forms of ethical sociality and subjectivity these media foster (e.g., Eisenlohr 2009;Engelke 2010;Hirschkind 2006;Larkin 2008;Meyer 2010). For broader reflections on mediation as social process, see Boyer (2012); Gershon and Manning (2014); Mazzarella (2004).…”
Section: Four Theses On Mediationmentioning
confidence: 99%
“…Em muitas das configurações de pesquisa que nós encontramos, notamos que nas práticas de mediação estabelecidas não havia nenhuma separação clara entre meio e mensagem, ou forma e conteúdo, no nível dos praticantes religiosos. Por exemplo, para os Ewe, uma estátua legba não é entendida como constituindo um mero objeto material que tem um espírito por trás, mas como uma real corporificação de poder espiritual (Meyer 2010b), bem como, no catolicismo, ícones transmitem uma sensação de Deus (a rejeição a "ídolos" feitos por humanos, TRADUÇÃO Birgit Meyer apontando a pura materialidade do ícone, é uma crítica típica dos Protestantes para com a mediação Católica). De maneira similar, apesar da questão sobre o uso do rádio para leituras públicas do Corão ser ou não adequado ter envolvido negociações complicadas entre Muçulmanos no norte da Nigéria no período colonial (Larkin, 2009; veja também abaixo), uma vez tomada a decisão a favor, tais leituras formaram uma parte praticamente natural da vida pública na qual o Islã é onipresente.…”
Section: ' D E S a Pa R E C I M E N T O ' D A M í D I Aunclassified