2020
DOI: 10.1007/978-3-030-41937-0
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The Worlding of the South African Novel

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Cited by 8 publications
(2 citation statements)
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“…[…] Readers hunger for large stories that … offer them some sort of large-scale vision' (Palumbo-Liu et al, 2011: 9). This issue takes its cue from those materialist scholars who draw on world-systems theory to argue that world-culture is best conceptualised with regard to the capitalist world-system, and, consequently, that the concept of combined and uneven development provides fruitful avenues through which to compare the aesthetic properties of seemingly diverse cultural forms (WReC, 2015;Macdonald, 2017;Shapiro and Barnard, 2017;Deckard and Shapiro, 2019;Lawrence, 2020;Mukherjee, 2020;Niblett, 2020;Poyner, 2020;Deckard, 2021;Lazarus, 2022;Oloff, 2023;Deckard et al, 2024).…”
Section: Social Reproduction and World-culturementioning
confidence: 99%
“…[…] Readers hunger for large stories that … offer them some sort of large-scale vision' (Palumbo-Liu et al, 2011: 9). This issue takes its cue from those materialist scholars who draw on world-systems theory to argue that world-culture is best conceptualised with regard to the capitalist world-system, and, consequently, that the concept of combined and uneven development provides fruitful avenues through which to compare the aesthetic properties of seemingly diverse cultural forms (WReC, 2015;Macdonald, 2017;Shapiro and Barnard, 2017;Deckard and Shapiro, 2019;Lawrence, 2020;Mukherjee, 2020;Niblett, 2020;Poyner, 2020;Deckard, 2021;Lazarus, 2022;Oloff, 2023;Deckard et al, 2024).…”
Section: Social Reproduction and World-culturementioning
confidence: 99%
“…Rebecca Fasselt, Corinne Sandwith and Khulukazi Soldati-Kahimbaara see it as a "transitional moment" and the short story is considered as "a viable genre for the depiction" of such a moment, partly because of its "inconclusiveness" as a form (Fasselt et al 2014, 6). The aesthetic options available have been explored through an examination of writers within the frames of realism, modernism, post-modernism and magic realism (Lazarus 2011b;Grzeda 2013;Poyner 2020). The originality of Mashigo's stories can be best understood by exploring the pertinent elements of the South African context in the light of the pressures exerted by an increasingly global frame; their specificity lies in the relation between these two scales, or levels.…”
mentioning
confidence: 99%