This dimension had already been pointed out by F. Gordon Rohlehr in his article "The Folk in Caribbean Literarature, reprinted in Susheila Nasta's Critical Perspectives: "The 'boys', who have originated from a world of language, recreate in the big city a world of words in which they move, and through which they grope for clarity in the midst of experience as bewildering and vague as the London fog" (Nasta, 41). Mark Looker in Atlantic Passages: History, Community, and Language in the Fiction of Sam Selvon makes explicit use of the Bakhtinan model to express the same idea.
7.According to Dolar's definition, an acousmatic voice "is simply a voice whose source one cannot see, a voice whose origin cannot be identified, a voice one cannot place" (Dolar, 60).
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