“…By salvaging such residues from existing scholarship, I offer ‘alternative explanations’ (Tavory and Timmermans, 2014: 97) of the empirical dynamics of precarity in creative work, additionally drawing on (though not reporting) my own decade-long qualitative investigations of creative work across a range of creative industries, including publishing, music, theatre, visual arts and fashion. In doing so I build abductively on the literatures on diverse economies and alternative economic spaces (Gibson-Graham, 2008; Holmes, 2018; Williams, 2011), consumption work (Glucksmann, 2009; Holmes, 2018; Wheeler and Glucksmann, 2015) and commoning (Caffentzis and Federici, 2014; Korczynski and Wittel, 2020; van Dyk, 2018). The disregard of wageless life in the literature to date, I argue, has blinded us to the politics of post-waged creative work, including insidious patterns of social inequalities and exploitation.…”